Word: sounded
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Dates: during 1990-1999
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...Stacked Actors" opens the album with the familiar boiling and grinding of a band reeling back to strike. The surprise comes at the moment of explosion when the song suddenly drops into a swishy jazz hum while Grohl croons what sound like sweet nothings--but filled with spite and malice. The chorus smashes back in with reckless abandon and closes in a pile up of distortion and sludge but under it all there are new subtle touches. In "Aurora," what could have degenerated into forgettable mid-tempo filler is saved by spirals of guitar work that slip away...
...already has a brilliant set: the violins, gut-strung and armed with baroque bows. The theorbos, or chitarrones, their halved-pear bodies flowering into tall, lyrical stalks. The melancholy viola da gamba and the haunting lirone shaped like early venuses. The blockflutes, the recorders with their warm and woody sound. The tiny baroque guitar, cradled like a courageous lap-dog, and the harpsichords, the harpsichords: banquet tables of the basso-continuo; two banks of oars pulling across the river...
...partial plans for the bell's hanging, and he was the only man around with any comprehensive knowledge of their playing. The bells are tuned to an eastern scale, supposedly a mixture of Byzantine and Tartar influences, which, to the Western ear gives their carillons a haunting and unfamiliar sound. No one here is quite sure how to play them or what music they were cast for. Aara admits that it is only through a lengthy apprenticeship that one begins to recognize the bells as a playable instrument. Her performances hinge on improvisation and experience. Though she and the other...
...even some professional backup vocals rose from the crowd in harmony to the band. For that stark moment, I wished that I had broken into this cult, and sang along for one clear voice along with everyone else and to a band that produced a unique, but unanticipated special sound...
Indeed the result was quite spectacular. Technically, the play was a sensory splendor--most arresting on the visual plane, but pleasing to more senses than just the eyes. What is immediately apparent is the role of inanimacy in this production, the unspoken heroics of sound and lightning, although purists might have viewed this aesthetic exhibition as more of a reliance than a means to an end. Admittedly, the very hipness of the event did at times seem incongruous with the apparent simultaneous desire for austerity, which is difficult to completely discount with Marlowe's text and the Faust legend...