Word: sounding
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Dates: during 1960-1969
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...lottery wheels. A Montmartre cabaret pianist, he was also a serious composer, puncturing the overblown romanticism of his time by turning out short wry works with such titles as Veritable Flabby Preludes (for a Dog), Disagreeable Sketches, and Chapters Turned Every Which Way. His 50-year-old tidbits still sound fresh and impudent, and are enjoying something of a vogue, due partly to their crisp presentation by Aldo Ciccolini...
...choreography any longer an artistic handmaiden, subservient to the greater demands of score. In a reversal of precedence, music is now only one of many elements that contribute to the impact of dance, which is a matter of sight and sound as well as movement. In effect, the choreographer has become the Jack-of-all-arts-the direc tor of a new theatrical form that has a total design for total involvement...
Looking Westward. The sets swing too-literally. They reflect the trend of multimedia dance, which means that moving scenery, lights, props, sound effects and film clips have all become an integral part of the choreography, as in Jeffrey's Astarte (see cover picture). Accompaniment ranges from full symphony orchestras and electronic yawping to jazz and, as in the case of Jerome Robbins' Moves, dead silence. Costuming can consist of tossing on anything that suits the moment or, as in Parades and Changes, performed by Ann Halprin's Dancers' Workshop of San Francisco, taking...
...ALWIN NIKOLAIS, 56, is a Flipped-Out, plugged into a high-voltage fantasy world where stage and sound effect share equal billing with the dancers. In Vaudeville of the Elements, figures in bulging fluorescent balloons waddle and contract like pregnant accordians. One dancer wrestles with a space-age cobweb. Others, with illuminated lampshades on their hands and feet, do a close-order drill. Now the dancers are drunken caterpillars, now they are partnering their own distorted shadows. All the while, nine speakers ringing the auditorium sizzle, crackle and explode with electronic music; twelve slide projectors and 30 spots splash colors...
...night last week was particularly poignant for Walter Cronkite. It showed a mortar bar rage at the Khe Sanh airstrip that wounded both the co-producer of his show, Russ Bensley, and CBS Cameraman John Smith. Neither Smith nor Bensley, who was filling in for an injured CBS sound man at the time, was seriously hurt. But three days later, after evacuation to Danang, Producer Bensley was wounded again during a rocket attack. His colon was ruptured and his spleen had to be removed. "The irony of it," said CBS Correspondent Don Webster, reporting from the hospital, "is that...