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Word: sounding (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...keep food or drink from going into the larynx or down the windpipe. With the valve open, the larynx is part of the airway to the lungs. Within it are two folds, the vocal cords, which vibrate when air is exhaled. The vibration of the cords generates the basic sound that is modified by various mouth structures to produce speech...

Author: /time Magazine | Title: Transplants: A Lung and a Larynx | 2/28/1969 | See Source »

...term is a tribute to Seattle's Yesler Way. Down this greased slope, in the old logging days, slithered the cut logs on their way to Puget Sound. The lumberjacks themselves, living and brawling in work shacks on either side of Yesler Way, called their community "Skid...

Author: /time Magazine | Title: Cities: Passive Protesters | 2/28/1969 | See Source »

Though the ridiculously low budget was the worst feature of last summer's program, it was also the best. You knew that everyone else was working under similarly unpleasant conditions, and that no one had more free weekends; a comraderie developed that would sound corny if, in fact, it had not given incentive to everyone...

Author: By James Q. Wilson, | Title: FOCUS in Perspective: Between Shadow and Act | 2/27/1969 | See Source »

Equally as innocent are some of the songs which serve as indoctrinatons for the non-hip. While some of these (like "Walking in Space" and another number called "Be-In") have too much Broadway sound and too many lyrics that only Life would find hip, some of the others are honest, simple and firmly based in the rock music vocabulary of the pre-Sgt. Pepper's and Hendrix days. One of the authors. Rado, does "Manchester England," a piece happily in the early-Stones idiom in which he asserts, "I believe in God/ And I believe that God believes...

Author: By Frank Rich, | Title: If Conrad Birdie Came Back to Broadway, Would He Have to Drop Some Acid First? | 2/27/1969 | See Source »

...Bacharach's own brand of arranging) in Promises, Promises are an essential part of the Bacharach score. And, in line with this, the composer has seen to it that his show is the first to use recording-studio electronics in a Broadway theatre. In the auditorium, one hears half sound straight from the stage and orchestra, and half sound that has been sent through an amplification-echo chamber system. There are also four female vocalists in the orchestra pit, who blend their harmonic flights of wordless sound into the instrumentation--and the whole thing is controlled from the back...

Author: By Frank Rich, | Title: If Conrad Birdie Came Back to Broadway, Would He Have to Drop Some Acid First? | 2/27/1969 | See Source »

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