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...they tested well in polls or focus groups; he wrote about them in his books years ago. His amazing ability to inspire derives from his refreshing authenticity and his emphasis on what is common to us rather than on what divides us. I'll take that over debate-scoring sound bites any day. Debbie Phillips-Donaldson, WEST DUNDEE...

Author: /time Magazine | Title: Weighing the Options | 2/26/2008 | See Source »

...steely chase film over warmer, more comforting fare - though for most of the ceremony there was some suspense as to whether it would come from behind at the end to win the most Oscars over the early leader: The Bourne Ultimatum, which had taken three early statuettes for Sound, Editing and Sound Editing. ("Three Academy Awards!" That'll look good on the next edition of the movie...

Author: /time Magazine | Title: Big Evening for 80-Year-Old Oscar | 2/25/2008 | See Source »

...five-story section of Lowell House (of course, the water first had to make it through the layer of asbestos in the ceiling!); and that smell in Adams dining hall only went away after the floorboards were ripped up and a massive cockroach infestation exterminated. Although these stories sound unique and extreme, CBI is dedicated to developing a stoic quality forged through trials of adversity in each and every Harvard man and woman. The most common program is a room heater that doesn’t work in the winter but kicks on in the spring. The second most common...

Author: By The Crimson Staff | Title: Building Character, Not Houses | 2/25/2008 | See Source »

...than the Oscars, which has only one black acting nominee this year (Ruby Dee, for American Gangster). The Spirit Awards' Best Supporting Male category had three African Americans (Chiwetel Ejiofor, for Talk To Me; Marcus Carl Franklin, for I'm Not There; and Kene Holliday, for Great World of Sound), one Indian (Irfan Khan, for The Namesake) and one under-appreciated Caucasian comic in a dramatic role (Steve Zahn, in Rescue Dawn). Eljiofor...

Author: /time Magazine | Title: And the Not-Oscar Goes to... | 2/24/2008 | See Source »

...seem like vintage tributes. With “Lust, Lust, Lust,” however, Foo and Wagner offer an update on the work of their late heroes. To a greater degree than ever before, the band’s use of noise, reverb, and minimalist production presents the sounds of the ’60s in quality contemporary form. The album’s a logical progression for the band. Their music has been headed this way since they first experimented with static on 2003 track “Noisy Summer,” whose opening blast growled threateningly...

Author: By Nayeli E. Rodriguez, CRIMSON STAFF WRITER | Title: The Raveonettes | 2/22/2008 | See Source »

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