Search Details

Word: sounding (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...problem of the flow of sound is more difficult to solve. Without a pit as such, the orchestra must play on the same level as the audience, and tends to trap the singing behind it, occasionally making it difficult to catch words or phrases. However, music director Nico A. Olarte-Hayes ’11 leads the chamber orchestra with admirable restraint, and even the best of conductors and ensembles would have a hard time playing more surreptitiously...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: 'Albert Herring' Nails Humor | 2/9/2010 | See Source »

...space can make the singers sound quieter than they actually are. Given these constraints, sometimes mezzo-fortes in place of pianos might have been more helpful for both the audience and the cast, as the more nuanced dynamic gestures often disappear beneath the accompaniment. Lucid narrative drive compensates for the occasional gaps in audibility, though, and a coherent collective vision of the direction of each scene helps anchor the plot to a regular pace (“Herring,” with apologies to Britten, does tend to saunter rather than walk). Matthew B. Bird...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: 'Albert Herring' Nails Humor | 2/9/2010 | See Source »

...track a wide range of graphic and conceptual complexity. A work by Lisa A. Haber-Thomson ’02 consists exclusively of stick figures, but deals with the beautiful image of a woman trying to stitch together a torn book as letters pour out of it to the sound of running water. “Pop,” a film by Sarah M. Ngo ’13, shows a perfectly-drawn girl in a simplistic world surrounded by fish who repeatedly “pop” and disappear...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: A 'Frame by Frame' History | 2/9/2010 | See Source »

While the plot may not be particularly inventive, the brilliance of the film is that, compared to modern horror film standards, freezing temperatures and a pack of wolves do not sound particularly frightening. However, Green portrays the group’s desperation in such a hauntingly realistic manner that he manages to make frostbitten faces and frozen limbs be just as disturbing as the most expensively elaborate special effect...

Author: By Edward F. Coleman, CRIMSON STAFF WRITER | Title: Frozen | 2/9/2010 | See Source »

...It’s all shot practically,” explains Green. “There is no sound stage, no green screen, no CGI. The actors are all actually in the air. The weather is real. All the things that threaten them are real...

Author: By Alex C. Nunnelly, CRIMSON STAFF WRITER | Title: 'Frozen' Director Adam Green Unthaws | 2/9/2010 | See Source »

Previous | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | Next