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...daily sound bites, visit time.com/quotes

Author: /time Magazine | Title: Verbatim | 10/26/2009 | See Source »

...Kings' story is true, but with their curious facial hair, dolorous gazes and tattered designer clothes, the Followills look like Confederate soldiers under the command of General Calvin Klein. This would suggest a con. At the same time, they're capable of songs that really do make them sound like savants. The best of these is "Taper Jean Girl," from 2005's Aha Shake Heartbreak. Caleb is mostly mumbling Dixie, but with a live-wire sexuality and unpredictability that recalls the young Mick Jagger. Meanwhile, there are a muscular bass, ferocious drums and a tremolo guitar flying around, generating...

Author: /time Magazine | Title: Innocent Horndogs | 10/26/2009 | See Source »

...AHIP report was the kind of one-sided study that lobbyists sometimes commission to create scary sound bites. It worked. The report analyzed the impact of four narrow features of the Senate Finance bill using a worst-case-scenario model; it concluded, as Ignagni says, that "health care costs [would] increase far faster and higher than they would under the current system." A fairer reading of the bill, which cleared the Finance Committee on Oct. 13 with a 14-9 vote, with one Republican supporter, suggests these projected costs are wildly exaggerated. Other provisions of the bill are aimed...

Author: /time Magazine | Title: Health-Care Grudge Match! | 10/26/2009 | See Source »

...Rush, "we were pulverized in the first one, beaten in the second one, and almost won the third one." Rush said that Harvard had been leading 30-10, but the appearance and capture of the Snitch was a game-changer, resulting in a 30-40 scoreboard (doesn't that sound suspiciously like Harry Potter's uncanny ability to save his team heroically, in just about every match...

Author: By Athena Y. Jiang | Title: Harvard beats Yale—The (Quidditch) Game | 10/26/2009 | See Source »

...instrumental use of female voices in the third movement complemented the ebb and flow of orchestral sound, adding yet another textural layer to existing pentatonic harmonies. The tonal color of the choir was concentrated in the high sopranos, whose vocalizations meshed seamlessly with the full orchestra to personify a tempestuous...

Author: By Monica S. Liu, CRIMSON STAFF WRITER | Title: HRO Goes Back to the Future | 10/26/2009 | See Source »

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