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...hassle, “Ambivalence Avenue” is your one-stop shop for all of your summer needs. After a series of meandering electronic albums for backpack rap label Mush, British producer Stephen Wilkinson, aka Bibio, has taken a turn towards the pop. And despite corralling sounds ranging from Brazilian street music to trip-hop to Jose Gonzalez folk, Bibio has put out a colorful and surprisingly cohesive album, one of this summer’s best. For a producer whose output has mostly focused on heavy, introspective beats, the ease with which Wilkinson creates slower, warmer melodies...

Author: By Ross S. Weinstein, CRIMSON STAFF WRITER | Title: Bibio | 9/4/2009 | See Source »

...fathers of an entirely new sub genre: Beach-Ethereal Electronic Rock. With their many varied elements, it would seem that Blind Man’s Colour’s music would be confused and overstuffed. But, surprisingly, the band is at its best when their many sounds converge, bringing together and maintaining the various aspects of their experimentation. Two tracks that come to mind immediately are “Anxious Place” and “Jimmy Dove.” The former moves along with a lively drumbeat and chord progression, which is simultaneously insistent and somehow loping?...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: Blind Man's Colour | 9/4/2009 | See Source »

...managed to put together a really wonderful concert.THC: Why ‘Timbre and Flux’?LDK: I wanted a title that represented both music and dance elements so I thought about what makes music music and what makes dance dance. Music wouldn’t exist without sound and dance without motion so I thought of the qualities of sound and motion and that’s where I got timbre and flux.THC: Can you talk about the pieces in the concert and the focus on collaboration?LDK: All of this repertory except for one piece was preexisting...

Author: By Denise J. Xu, CRIMSON STAFF WRITER | Title: SPOTLIGHT: LARISSA D. KOCH ’08-’09 | 9/4/2009 | See Source »

...childlike simplicity. The guitar breakdown in follow-up track “Drive to Dallas” is one any shredder could be proud of, and its improbable fluctuations in energy showcase lead vocalist Eleanor Friedberger’s distinctive voice. At the Furnaces’ best, their songs sound like an exploration of the most basic building blocks of pop songs. It’s reverse engineering with little concern for polish or production quality. Yet while weirder bands don’t mind sounding abrasive in pursuit of something loftier, Matthew and Eleanor Friedberger manage to pull...

Author: By Molly O. Fitzpatrick, CRIMSON STAFF WRITER | Title: The Fiery Furnaces | 9/4/2009 | See Source »

...Pearl Jam’s case, or as a marketing gimmick to present the album as different and important. In naming their seventh album “Wilco (the Album),” Jeff Tweedy and the band seem to be announcing a realization of identity, defining their sound at an intersection of styles that they previously employed seperately. Unusually, this solid album opens with its weakest track: “Wilco (the Song)” is a forced joke that falls flat. After this misstep, however, the album proves to be a consistently enjoyable listen. Wilco?...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: Wilco | 9/4/2009 | See Source »

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