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...working-class TV is simple. Like such extreme-adventure shows as Man vs. Wild, the programs attract young males better than two-for-one pitchers. They're about men, almost exclusively: men sweating and swearing, men powered by coffee and doughnuts, men revving heavy equipment to heavy-metal sound tracks. But they're also a kind of riposte to the smirkiness and high-class problems of TV's upscale hits. You want an existential crisis? How about getting clocked across your freaking head with a steel oil-drill chain? And whereas big-network TV offers a fantasy of perfection, working...

Author: /time Magazine | Title: Reality TV's Working Class Heroes | 5/22/2008 | See Source »

...more daily sound bites, visit time.com/quotes...

Author: /time Magazine | Title: Verbatim | 5/22/2008 | See Source »

...Nevada in 1957, a time of rock 'n' roll (Elvis' Hound Dog is on the sound track), greasy-haired juvenile delinquents (including the main new character, Shia LaBeouf's Mutt Williams), commie-phobia (and why not? The Soviets have just penetrated a U.S. military base), fear of the Bomb (hmm, what's that mushroom cloud on the horizon?) and mass sightings of UFOS (coming soon to an archaeological dig near...

Author: /time Magazine | Title: Indy Fatigable | 5/22/2008 | See Source »

...most people would be wrong. Having studied 22 years of performance data on more than 7,000 growth companies, I discovered that the idea that entrepreneurs are, by definition, risk takers is a myth. Curiously, many entrepreneurial leaders actually lose their nerve as they become successful. That may sound like a reasonable trade-off, but this tendency can hurt a firm's chances for long-term success and growth...

Author: /time Magazine | Title: Myth of the Fearless Entrepreneur | 5/22/2008 | See Source »

...Ver?nica (Mar?a Onetto) hits something in the road and is afraid she has run over someone. Her husband tries to assure her it was just a dog she hit, but gradually her fear festers into dementia. As with Three Monkeys, the plot of this Argentine non-drama makes it sound more interesting than it is. The film is inert, visually tiring, utterly lacking in suspense; nothing changes except Onetto's hair color. Martel won some international converts for The Holy Girl in 2004, but this time the acolytes are likely to become apostates...

Author: /time Magazine | Title: A Critical Snapshot in 10 Reviews or Less | 5/21/2008 | See Source »

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