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Word: soundingly (lookup in dictionary) (lookup stats)
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...construction site just off east London's Pudding Mill Lane is a hive of activity. To a sound track of saws, whirring engines and vehicle horns, workers are shifting earth, laying roads and scaling a cavernous steel-framed structure. On a viewing platform overlooking the site, a steady stream of people gather to watch the development take shape. Many linger: a dedicated coffee shop at one end of the platform offers hot drinks amid the crisp, wintry weather...

Author: /time Magazine | Title: The Olympics: What London Can Learn from Vancouver | 3/3/2010 | See Source »

...there are moments that are much cleverer—“All I have is time / To bring back this bloodline of mine.” However, considering the fact that Rogue’s voice is sometimes inaudible over the band’s walls of sound, this weakness doesn’t seem to be a major concern for the band...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Rogue Wave | 3/2/2010 | See Source »

This is not to say “Permalight” is a bad record, but it’s certainly an uneven one. The captivating hooks of the album’s first half showcase an engaging sound for the band, but the second half never reaches those heights. At this point in their career, it’s understandable that Rogue Wave is in transition, but they haven’t yet quite figured out how to effectively innovate their core sound...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Rogue Wave | 3/2/2010 | See Source »

...shadows. His simple and rough vocals bring the fantastical nature of many of the operatic pieces back to an earthly level. “White Chords” maintains a heavy electronic presence, though the instrumental backdrop serves to credit Barnett’s voice. His already rough sound seems even lazy, yet effective, as he murmurs and croaks into the microphone. Losing the operatic immensity but retaining many of its stylistic elements, this track achieves a hedonistic unity between the dubstep beats and classical influences—a unity that is missing on other tracks...

Author: By Sarah L. Hopkinson, CONTRIBUTING WRITER | Title: These New Puritans | 3/2/2010 | See Source »

...sometimes gets the better of them. The incorporation of operatic influences into electronic experimentation often forms overstuffed tracks with too great an intensity. While the beats embrace a dancehall headiness, there are moments when the variety of elements do not quite merge into a coherent contiguity of meaning and sound. Their attempt is interesting and provocative and it is an ambitious step which deserves merit for its imagination. It almost works, but “Hidden” narrowly misses its target...

Author: By Sarah L. Hopkinson, CONTRIBUTING WRITER | Title: These New Puritans | 3/2/2010 | See Source »

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