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...Gaga: Beat-ful, totally unnecessary lyrics, energetic tempos, and they all just kinda sound the same. Nice...

Author: By Maya Shwayder, CRIMSON STAFF WRITER | Title: Music Seen: The Reading Period Playlist | 5/4/2010 | See Source »

...response to climate change in Copenhagen, the U.S. still lags behind its European counterparts in reducing carbon-dioxide emissions; while European countries are offering to cut pollution by 30 percent below 1990 levels, the U.S. commitment totals only four percent from 1990 levels. In particular, although clean-coal technologies sound environmentally friendly, in reality, the transportation and manufacturing of these technologies arguably result in greater carbon-dioxide emissions than merely burning the coal...

Author: By The Crimson Staff | Title: Time to Prioritize | 4/28/2010 | See Source »

Technical difficulties with the sound system during Jovanotti’s talk prompted many smiles from the audience when the musician had trouble maneuvering the microphone...

Author: By Sophie T. Bearman, CONTRIBUTING WRITER | Title: Pop Icon Discusses Music, Activism | 4/28/2010 | See Source »

...contemplations of selfhood and subjectivity, Williams also continually returns to the vivid observations that give his work such buoyancy. In “Riot,” Williams evokes the music of dawn’s approach after a tumultuous, sleepless night: “The first dawn crows / sound like humans imitating crows, / but hungrier than crows, or more afraid. / The rising light gilds / then slashes red the fallow fields.” Throughout “Wait,” Williams consistently reveals perceptions of the world unique to his own alert senses. In “Teachers...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Pulitzer-Winning Poet Williams Channels Voices from the Canon | 4/27/2010 | See Source »

With its spirits and character transformations, giants and magic beans, it would be an understatement to call “Into the Woods” a technically complicated play. Despite being interrupted with a few sound-system hiccups, this production’s technical realization of the show is subtle, but deliberate and creative. From the booming voice of the giantess to the smoke that appears alongside the spells of the Witch, the production effectively establishes the magical world of the woods without distracting from the vocal work and acting of the remarkable cast...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Into the Woods | 4/27/2010 | See Source »

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