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Word: soundly (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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ACCORDINGLY, The Changeling doesn't look or sound like a Jacobean tragedy about love, murder and intrigue. The metallic scaffolding and leather jumpsuits that comprise Michael H. Yeargan's sets and costumes could have been borrowed from an episode of "Battlestar Galactica." Brustein's characters speak their lines at breakneck speed and with near-feverish emotion to give Middleton's rhyming text the language and feel of everyday speech. No stuffy parlor play this...

Author: By Ari Z. Posner, | Title: More of The Same Thing With ART's 'Changeling' | 12/5/1985 | See Source »

...Brustein's masterful revision of the musty script warrants praise. Too bad he wasn't confident enough of his audience to let his rewrite run without all the oblations to trendiness. There should be a place at the ART for mainstream theatre that doesn't seek to break the sound barrier for its utter chic-ness. That is, if the professor doesn't mind putting aside his textbook on cornering the Latest Thing market...

Author: By Ari Z. Posner, | Title: More of The Same Thing With ART's 'Changeling' | 12/5/1985 | See Source »

...success of the 1982 release Combat Rock, containing the radio/video hit "Rock the Casbah." The band's ensuing tour was riddled with disputes between Strummer and former band member Mick Jones. Aside from commercial problems, the two were faced with differing musical styles. Strummer favored the loud, fast guitar sound that was most evident on earlier Clash releases, while Jones wished to pursue the synth/dub style evident on Sandinista! and Combat Rock. Jones's new band, Big Audio Dynamite, has gone on to do what they intended. Strummer, however, seems lost...

Author: By Jeff Chase, | Title: Full Of It | 11/23/1985 | See Source »

Besson inflicts his audience, whom he clearly despises, with didactic-as-all-get-out musical sojourns. In one we're told that we watch too much TV. Neat-o. In another we learn, to the sound of gunfire, that people kill people. Brilliant. Other scenes are less direct. At a pointless dinner party, the pre-Madonna-esque Ford girl heroine (portrayed, through the eyelashes, by international Cover Girl Adjani), tells a roomful of squares exactly what she thinks of them. With her Bride of Frankenstein fright wig and a gutter-mouthed talent for the unprintable expletive, she makes a speech...

Author: By Jonathan S. Steuer, | Title: Sub-Intelligent | 11/23/1985 | See Source »

...result should also sound familiar. Harvard's dynamic duo dumped Endleman and Williamson without hesitation, 6-1, 6-4, to take the tourney's doubles title...

Author: By Barbara VAN Gorder, | Title: Scott Takes Singles Title, Engle-Scott Fly at Rolex | 11/18/1985 | See Source »

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