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Word: soundness (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...attachment to north-central Italy is deep. On his sacrosanct summer holiday, he invariably returns to his vacation house in Pesaro, 150 km from Modena (see box). He cherishes a sense of himself as a sound, simple man of the region: he keeps up ties with relatives and friends there, and he concentrated investments from his considerable income (probably close to $1 million a year) in the area. Among his holdings: a record store in Bologna and an office building near Modena...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

...found a vital influence as well as a partnership that remains one of the most potent in opera. Says he: "I used to listen to her and think, how is it possible that this woman's notes never seem to end? How does she produce this endless chain of sound? I gradually realized it was her breathing. " Says Bonynge: "He was always getting hold of Joan around the middle and feeling her muscles. He wanted to figure out how her diaphragm worked. Especially in her placement of high notes, he was able to understand what she did and transfer...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

...like Pavarotti's?it has to be. Yet his associates agree that he has succumbed to no more than a mild case of "tenoritis." Last month, while recording Rossini's William Tell in London, he flared up over the balance between his voice and the orchestra. "Why do 1 sound as if I'm singing in another room?" he shouted after hearing a playback. When the producer defended the balance, Pavarotti slammed his score shut and stomped out of the studio. But the next day he was back to try again. "Luciano is not temperamental," says one recording executive...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

...consensus of his colleagues is that he has paced himself well. Says Eugene Kohn, a former accompanist and coach of Pavarotti's: "There was fear that he would lose the bloom of sound and the top notes. But if the repertoire stays too light, you don't give the voice free rein. I recently heard him in Luisa Miller in London, and ins voice was fantastically enriched for having sung heavier parts." Pavarotti is preparing the formidable role of Radames in Aida for San Francisco in 1981. Lohengrin may even be down the road some day. "I continue to take...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

...notes are produced from the chest without proper support. "A baby crying is a perfect demonstration of correct vocal technique," he tells her. "The baby chooses a note that is comfortable and can cry all night without tiring or getting a sore throat. Why? Because it produces the sound in the natural way, by pushing it up from the diaphragm...

Author: /time Magazine | Title: Music: Privacy, Pavarotti Style | 9/24/1979 | See Source »

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