Word: soundness
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Dates: during 1970-1979
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...Mothers, you must keep your children under control! They must die with dignity!" Over the shrieks of the young and the sound of gunshots boomed the baritone voice of Jim Jones, exhorting his followers to spray cyanide deep into the throats of infants and any adults who resisted his order to die. This haunting echo of the Jonestown horror was discovered last week on one of hundreds of tape recordings discovered by the FBI and Guyanese officials at the Peoples Temple compound in Guyana. The tape was on a recording machine that had apparently been turned on just...
...there is a ring to that which takes one back to the old days when life on this globe was a series of crises strung together with pauses while the Soviets looked for another opening, that is just the way Helms meant it to sound...
...right, fine. But what if, even though there is no alternative to the Shah, there should be no Shah tomorrow? Or next week? Then what? Such questions usually elicit a stubborn repetition of the statement: "There is no alternative to the Shah." That argument, which is beginning to sound like a slogan, really means: There is no acceptable alternative to the Shah. To say that there is no alternative at all is illogical, and unworthy of the men who reiterate it so dogmatically. But it is that dogma-"There is no alter native to the Shah"-that has dictated policy...
...This may sound doom-laden, but the plays are redeemed by irrepressible freshets of surreal humor. Buried Child, now at off-Broadway's Theater de Lys, concerns itself with a zany Illinois farm family. Dodge (Richard Hamilton), the grandfather, is a prickly relic whose security blanket is the whisky bottle under it. His wife Halie (Jacqueline Brookes) is the voice of the nag incarnate. The eldest son Tilden (Tom Noonan) is laconic, even for a neo-Neanderthal. For him, the barren fields yield armfuls of corn and carrots, which are duly shucked, sliced and nibbled onstage...
...portrait of the war that beggars logic and is boundless in terror. An early Viet Nam sequence, in which imprisoned Americans are forced to play Russian roulette by their Viet Cong captors, is one of the most gut-wrenching ever. With Peter Zinner's virtuoso editing, an agonizing sound track and Vilmos Zsigmond's fiery cinematography, Cimino creates a beastly carnival of death even before brains are splattered across the screen. His portrait of South Viet Nam, from the infernal chaos of Highway One to the noisy decadence of Saigon, is no less harrowing. Throughout the film, Cimino...