Word: soundness
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...offer stands all day long, so if HUDS’ selection of the day—salmon, chicken stir-fry, and falafel sandwich for lunch; Chinese-style BBQ chicken, Salisbury steak, and Scheherazade casserole for dinner—don’t sound too appetizing, you can head over to IHOP for free flapjacks any time between...
...other hand, are not discernable. “That was very conscious decision,” says Aaron Litvin. “We didn’t want to appear and we didn’t want our questions to appear. We decided to not have any external sound added to the film to try to make it as direct and transparent as possible.” This technique creates a sense of authenticity, as the audience gets to know to characters as they tell of their successes, disappointments, hard work, frustrations and personal growth...
...Natives present a clear mission statement. The driving drums pulse under electronica-influenced rim clicks and the determined picking of the guitar line. This drum track is instantly reminiscent of the Dodos and the National, bands that have pioneered the now-popular “big drum” sound pervasive throughout much of indie rock. The bass is melodic, driving the song as much as the guitar. Due to their spaced-out reverb and ethereal interval, the constantly harmonized vocals are reminiscent of Fleet Foxes. The song is comprised of carefully constructed parts that build, then segue seamlessly, always...
...which continues to be a testament to the group’s talent. Shearwater expertly create a rich texture through guitar and multiple percussive instruments, including bells, while Meiberg lyrically juxtaposes the peaceful ocean with violent warfare. Cymbal rushes wash powerfully over the listener, simultaneously invoking the sound of ocean waves and exploding bombs. The effect is powerful and thought-provoking, and if the rest of the album was as inspiring as the opening, Shearwater would have created a masterpiece...
...only do the songs lack variety, but the emotions of the album frequently feel forced. In particular, Meiberg strains his voice ad nauseum to create melodrama, manipulating his deep baritone to sound as though it comes from a heavy trance. While at times this is an asset, his voice becomes more and more affected as the album progresses, until it reaches an unbearable level of pretension. The zenith of Meiberg’s vocal affectation can be heard on “God Made Me,” where he abhorrently accentuates every note with an exaggerated swell...