Word: sounds
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Dates: during 1950-1959
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...subsonic air-breathing missile was a sound concept before physicists found out how to fit a nuclear warhead into a ballistic missile. Had the Air Force's air-breathing Snark been pushed to completion on its original schedule three years ago, it could have filled a gap in U.S. air strength. By the time the first (and only) Snark wing was put into operation this year in Maine, Soviet defenses had more than caught up with it. Counting total development costs ($740 million), the Snark is one of the most costly, wings ever formed...
Though phrased to sound like an acceptance, the rebel reply amounted to a rejection of De Gaulle's terms-which specified that the negotiations be confined to arrangements for a ceasefire, and should not include discussion of Algeria's political future. But what gave the rebel announcement an unmistakably smart-aleck flavor was that all five of the proposed rebel representatives have been in French prisons for more than three years; four of them, including Ben Bella himself, landed there in a celebrated coup in October 1956, when a Moroccan plane carrying them from Rabat to Tunis...
...might be made against the Vienna Philharmonic: it plays too little modern music, rarely even gets around to the works of such eminent Viennese as Arnold Schoenberg and Anton Webern. But the men of the Vienna Philharmonic know what they like. Says Concertmaster Willy Boskovsky: "Our dominion, with our sound, is Beethoven, Brahms, Bruckner and the classics; at this we are good. Perhaps American orchestras can play some of the newer music better...
...swelling processional, a kind of hallelujah chorus. But, in general, the show's virtues are marred by its weaknesses. For one thing, Rodgers and Hammerstein do repeat themselves: governess, children and children's papa seem at moments the twins of The King and I. And The Sound of Music suffers badly by comparison, has less swing, less gaiety, less piquancy, less the very air of musicomedy...
...Sound of Music-with Richard Rodgers supplying the music, Oscar Hammerstein the lyrics, Howard Lindsay and Russel Crouse the libretto, and with Mary Martin as the star-provides "What's in a name?" with at least one answer: "A $2,325,000 advance sale.'' The show itself, in accordance with Rodgers and Hammerstein's desire not to repeat themselves, goes to Austria at the time of the Anschluss for its story, to the famous Trapp Family Singers, who dramatically escaped from the Nazis' clutches. Besides Captain Georg von Trapp, there were his seven children...