Word: sounds
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...wonder. When Legrand’s voice rings out on exaggerated vowels, the music follows suit, sweeping the listener along in a daze. “Used to Be,” a rerecorded version of the track that first appeared on a 2008 single release, exemplifies this fuller sound unique to “Teen Dream.” An upbeat piano ballad of sorts, its poetic unanswered questions address the pangs of growing apart. On this and other tracks, the emotional core of the song is consistently detectable on the surface. Beach House’s music...
...intention to step back a bit seems clear. And throughout “Transference,” the elements that made its predecessor an instant classic—horns, conventional pop structure, songs with more that two chords—are thrown out in favor of a deliberately unpolished sound recalling the band’s lesser-known 90s work...
While attention is focused primarily on the text and performers, these are frequently undermined by the seemingly constant soundscape of city traffic and chirping birds—an obvious attempt at technical verisimilitude. Even the onstage presence of sound designer and operator Ben Williams, who also plays several small roles throughout the production, is less distracting than the unnecessary and incongruous noise with which the performers must compete. The sound design is thankfully more subdued and sparingly used—to greater effect—in the stronger second half of the production...
Light designer Mark Barton’s work does not suffer from the same problems created by the sound design. Bright lights beautifully convert the dingy office into an extravagant party and, in one magnificently lit scene, the tense hotel room where Tom confronts Gatsby and Daisy about their affair...
...Campesinos! have never lived up to the carefree cheerfulness their exclamation-pointed name would seem to imply. On the contrary, their first two albums traded in a heightened teenage angst that would have bordered on gloomy were it not for the relentlessly cheerful twee pop sound enveloping...