Word: soundtrack
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Dates: during 1960-1969
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Macbeth is also endowed with a hypersensitive imagination. Colicos constantly reacts in little ways to the strange sounds that abound around Inverness Castle (this production has a highly active off-stage soundtrack). The dagger soliloquy comes after he dozes off on a bench; he starts to hallucinate in a half-awake state, and seems hardly to be aware of his own real dagger, which he draws but then drops on the floor. When he goes upstairs to murder Duncan, he carries his dagger behind his back. On returning, he holds two bloody daggers in one hand--again behind his back...
...Owens. Whether bright or dim, there are more lights in the theatrical firmament than those that gleam on the marquees on Broadway or off. Last week Philadelphia was host to a new drama of serious intent. As the playgoer enters the Theater of the Living Arts, he hears a soundtrack from nature as raucous and insidious as the din of city traffic. Cockatoos screech and hippopotamuses snort. Over the stage stretch tangled plastic vines. On the walls are murky film blowups of lions, elephants and monkeys. A combination of bamboo palace and automobile graveyard, the set is a raked topography...
...LODIE DU BONHEUR (RCA Victor). Tourists who happened to catch the movie version of Sound of Music in France heard this soundtrack and thought they'd tumbled onto Soeur Sourire. Not so. It is Mathé Altéry being the voice of Julie Andrews-and she isn't very far removed...
...subtle films ever made. The Master establishes suspense, atmosphere, and minute characterizational detail with editing and color camerawork. In manipulating the reactions of the audience he knows so well, Hitchcock quietly (and romantically) uses point-of-view shots to switch character emphasis, soft and distorted focus to heighten tension, soundtrack modulation to isolate the important, and back-projection (when a scene is played in front of a projected background) to subtly increase intimacy...
...music likewise mirrors Britko's thoughts. When he looks up at a church steeple, "Gloria in Excelsis Deo" briefly enters the soundtrack. A bittersweet fiddler's tune of his dilemma, while a full choral anthem accompanies his moment of decision. Finally, the cheerful and ubiquitous band music characterizes the optimism about human nature which Kadar and Klos insist on maintaining through the entire film...