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Word: soundtrack (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...that is, flaw fully: wrinkles, thick headedness, and all. Lined by years of tequila nights and bloody mornings. Nelson's face is perfect for his role. In Songwriter, his fifth movie. Nelson exhibits such case and warmth that the special chemistry he strikes with Kristofferson redeems the more mediocre soundtrack...

Author: NO WRITER ATTRIBUTED | Title: Down-Home Sleaze | 5/6/1985 | See Source »

...production will also feature the musical work of composer Richard Lerman and Radcliffe pottery studio supervisor Nancy Selvage. The soundtrack includes traditional ballet music, electrically synthesized music, and recordings of athletic sounds, such as fencer's swords clinking...

Author: By Rebecca W. Carman, | Title: Dancing and Playing in the Gym | 4/20/1985 | See Source »

TAKE A CLASSIC TALE of medieval love and romance, add a dash of Runyonesque comic relief, a soupcon of high-tech editing a jazzy MTV soundtrack and seal it with a magical spell and you've got Ladyhawke. This cinematic hodgepodge of seemingly incompatible elements really resolves itself into an eighties version of the Arthurian romance, replete with ladies fair and valiant men of arms...

Author: By Cristna V. Colletta, | Title: Noble Nerd | 4/12/1985 | See Source »

...FIRST GLANCE at that wonderfully extended first glance over Nicollette Sheridan (the very titular Sure Thing). Rob Reiner's new movie looks like some hybrid of a late night blue movie on cable, an updated It Happened One Night with a junior prom live! soundtrack. But the putative story line--incompatible boy meets non-patible girl, girl rejects boy, girl and boy get thrown together on long trip, fall in love, break up, stumble back in love, kiss in moonlight, roll credits, sell cable rights, ad clicheum--stays mercifully irrelevant in what soon becomes a veritable impros comedy feast coated...

Author: By Clark J. Freshman, | Title: Meathead Strikes Again | 3/22/1985 | See Source »

Jarmusch transposes borredoin and disappointment into a deadpan dramatic bass-line that lops along with its loom-pah-loom-pah Sereanun' Jay Hawkins soundtrack. The camera just watches these characters, from above or below like a surreal intruder, or straight-on as though it were positioned behind a one-way mirror. They don't perform; they just are and sometimes they just are not. The camera watches them watching television, not talking, avoiding each other, waiting, arguing impatiently when forced to think about what is, to them, the painfully obvious. Punctuated with blackouts at the end of every scene, Paradiseis...

Author: By Susan Morris, | Title: Where's the Beach? | 2/15/1985 | See Source »

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