Word: soundtrack
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Dates: during 2000-2009
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...Natalie A. Cameron ’11, and Odstrcil transformed themselves into Coppelia-esque wind-up toys, delicately moving about the stage with the precision of mechanical instruments. The plucked strings of the folk music—a piece by Yann Tiersen, best known for creating the soundtrack for “Amélie”—resonated as the dancers replied in stiff, precise arm movements that still managed to remain lyrical...
...When the soundtrack version of this number leaked to YouTube, FlyBy lamented. It’s chintzy. “Vanilla,” as Mercedes charges. Turns out they saved the good stuff for the episode. This arrangement is more balanced between the characters, lacks the droning endlessness of the CD version, and suffers less from the (still-underwhelming) ending. Rachel makes a perfect little Idina, and we’d be first in line for Wicked starring Kurt. But what’s best about this number is the struggle Kurt brings...
...film’s second half suffers from a plethora of increasingly distracting elements. Chief among these is its score, which alternates between vaguely eerie and uncomfortably alarming. A host of strange, unnatural sounds accompany moments of onscreen tension, at times recalling the abrasive and bizarre soundtrack of a Paul Thomas Anderson movie but without Anderson’s artistic discretion. The film’s surprising turn toward a dark and haunting ending, as typified by a grotesque and unexpected murder scene, also proves jarring and unnecessary. If this film were an artistic hopeful, it would probably do well...
Aside from a superb soundtrack, the film’s other strength is its wonderful cast of character actors. Hoffman remains at his brashest and bawdiest as an American DJ, a stark opposite from Nighy’s prim, if slightly spaced-out, British gentleman. Unquestionably, though, the funniest performance comes from Kenneth Branagh as a viciously polite British official intent on destroying Radio Rock. His outraged caricature is particularly evident during a scene in which he casually threatens to outlaw one of his subordinate’s haircuts. Nick Frost’s (“Shaun...
...more stressful crises, The Count muses that “all over the world, young men and young women will always dream dreams and put those dreams into song.” While at times overly sentimental, “Pirate Radio” and its sprawling soundtrack capture the freewheeling spirit of a transformational...