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...sank the Titanic? It happened on the record charts, not in the North Atlantic, and instead of an iceberg, the fatal blow was struck by Dave Matthews, a former barkeep turned leader of the Dave Matthews Band. After spending 16 weeks at No. 1, the once unsinkable Titanic soundtrack collided with Matthews' new album, Before These Crowded Streets. When it was over, Matthews reigned in the top spot...

Author: /time Magazine | Title: Music: Shelter In The Storm | 8/3/1998 | See Source »

...that said, however, High Art grabs our interest early and holds our attention almost throughout. The almost hypnotic effect of the picture springs partly from the rich, percussive soundtrack composed by Shudder To Think, but more credit belongs to the trio of actresses at the center of the narrative. Mitchell has the largest role, and she nicely manages the role of the seeming innocent drawn so far into this circle of sirens that her presence creates tensions felt by the whole group. Clarkson impresses mightily as Greta, whose mordant wit is an obvious retort to a life and a lover...

Author: By Nicholas K. Davis, CRIMSON STAFF WRITER | Title: High Art, Despite Solid Acting, Falls Short of Its Namesake | 6/26/1998 | See Source »

...Harvard pressure-cooker gets pretty hot mid-semester and by mid-May classes have reechoed boiling point. Your friends vanish, the humming of the Cabot Library fans becomes the soundtrack to your life and you start to hear The Crimson hit your door before you've hit the covers...

Author: By Paul K. Nitze, | Title: Where Do All Those Harvard Proctors Go? | 5/20/1998 | See Source »

...only happens when it's raining/Players only love you when they're playing." The Corrs, however, do incorporate the hall-mark of 1990's music. They sing with a dance beat--and prove that not even music mixers consider Fleetwood Mac (like Celine Dion or songs from the Evita soundtrack) sacred from the throbbing bass of dance clubs...

Author: By Joanne Sitarski, CONTRIBUTING WRITER | Title: Fueling the Baby Boomer Fire | 4/17/1998 | See Source »

...Moore did not separate the good from the campy. After the genius of Roger & Me, which had the same lightheartedness and Dick Dale/Beach Boys soundtrack but was also expansive and responsible in its poignancy, The Big One is insulting. Michael Moore said he thought Roger & Me was a failure, but unfortunately his current approach is ultimately only going to satisfy depraved pro-labor fanclubs. Of course, the audience at the IOP Forum applauded The Big One enthusiastically, and except for those mentioned above, their questions were remarkably indulgent. Moore is obviously getting at something that should be said. But labor...

Author: By Benjamin E. Lytal, CONTRIBUTING WRITER | Title: Moore's Latest a Bit too `Big' for Its Own Good | 4/17/1998 | See Source »

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