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...always. Some of the new movies have been big budget disappointments, notably Sgt. Pepper's Lonely Hearts Club Band. Despite massive promotion, Peter Frampton and the Bee Gees, and a soundtrack album geared to bring in the kids, this pale attempt to dramatize an old Beatles album is a lame entry. During the first six days of August, one 1,500-seat theater in New York City sold less than 15% of the house at the average showing. I Wanna Hold Your Hand, another Beatles-inspired movie, got a clammy reception three months ago. Notes MCA President Sid Sheinberg...

Author: /time Magazine | Title: Show Business: Hollywood's Hottest Summer | 8/21/1978 | See Source »

...dramatic lighting; also to the special effects: the fog, the puffs of smoke, the trickling blood, the bat that flies over the audience, and the fieldmouse that jumps out of Renfield's hand and scurries across the floor into the fireplace. There is fun, too, in the soundtrack: chilling animal calls in the distance, snippets of Debussy and Mahler and Holst, and a wonderfully ominous neo-Wagnerian leitmotif for tuba and timpani...

Author: By Caldwell Titcomb, | Title: Peers Without Peers and Dracula | 8/11/1978 | See Source »

...town. Rain also showers the darkness, but it dirties as much as it cleanses, recalling Alain Resnais's evocation of the contaminated rain after a nuclear explosion in Hiroshima, Mon Amour. During the day, when the CB appropriates a docile mask, bright sunshine dominates the cinematographer's vision. The soundtrack, too, depicts both sides of the community. Basically low-keyed, the music alternates between clean but mournful acoustic guitar melodies and upbeat truck-driving ditties, echoing Demme's preoccupation with CB's comic and tragic elements...

Author: By Hilary B. Klein, | Title: Demon Radio | 3/10/1978 | See Source »

...album of the "Sergeant Pepper's" soundtrack will also be marketed, Fein said. "And he's starting another movie at the beginning of April, and working right through the Spring," Fein added...

Author: NO WRITER ATTRIBUTED | Title: Burns Nixes Artists Series Invitation | 1/10/1978 | See Source »

...piece on a film partly about music would be complete without some reference to the soundtrack, and Baskin's score makes the task easier. While most of the songs sound like a second-rate version of Laura Nyro with a jazzy twist and a male voice, the occasional poetic outbursts in his lyrics do draw attention. Baskin seems to be treading on all too familiar ground...

Author: By Joe Contreras, | Title: Grown-Up Wasteland | 4/19/1977 | See Source »

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