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...this count, Chase's feature is worth the price of admission. It is not aesthetic. It is even clumsy. The soundtrack and the visuals are poorly matched. The IRA anthems and ballads occur with no regard for the picture on the screen, so that both lyrics and images suffer from thoughtless juxtaposition. There is considerable unnecessary footage--87 minutes could well have been reduced...

Author: By Alice VAN Buren no-go, | Title: ...And Nothing But The Truth | 7/31/1973 | See Source »

...festival in France. With all the holler, you'd think this was the movie miracle of the century. (This one critic got very serious about whether or not it was the masterpiece of the month.) The promoters have thought of everything--stickers, folders, posters, and a record of the soundtrack. I'll bet you anything they start leafletting in Harvard Square tomorrow. They even had this interview with Malcolm McDowell tacked on the wall. It ticked me off. McDowell was feeding the interviewer this line like it was intended for a Harvard professor about how his movie was a modern...

Author: By Max Blearlens, | Title: Don't Fall for the Hype, Joe | 7/20/1973 | See Source »

...style of the good old days but he knows full well its illusions. He only half-heartedly retreats into a past he cannot believe in. As his camera traipses gaily through the scenes of Aunt Augusta's youth, lighting it in rich rose colors and tuning it to a soundtrack of syrupy violins, he risks distending what should be entertainment into statement...

Author: By Emily Fisher, | Title: An Old Man's Daydreams | 1/24/1973 | See Source »

JOAN DIDION'S SCREENPLAY transfers many of her book's best elements to the film. Besides emphasizing the film's first-person point of view, Maria's soundtrack commentary fills in gaps where dramatization would only waste time. In the book Maria talked about Carter's first films; here we see and use them to piece together her past. Her descriptions of her mentally disturbed daughter, Kate, find visual equivalents in her visits to the institution where Carter has committed their daughter. On the other hand, with the fast-cut flashbacks to Maria's coerced abortion, the style distracts...

Author: By Alan Heppel, | Title: Playing It | 12/4/1972 | See Source »

Indicating war production in the Boston area as well as working conditions in corporations holding large defense contracts, the slide production features photographs of major Boston electronic companies accompanied by a soundtrack listing their defense connections...

Author: By Elizabeth Samuels, | Title: Friends' Slide, Tape Show Blasts Defense Contractors | 7/21/1972 | See Source »

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