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...distortion and the most cloying saccharinity. Rodzinski plays the symphony with verve, but straightforwardly. He brings out not the sobbing emotionalism which people profess to find in Tchaikowski, but the wonderful melodic flow, the freedom of motion, and the unfailing dramatic sense. If, as someone told me, the original soundtrack of the recording was speeded up for the first movement, it is all to the good, for the speeding-up tends to unify and bring out the organic growth of the movement...

Author: By Jonas Barish, | Title: THE MUSIC BOX | 5/28/1940 | See Source »

...soundtrack" of verse accompanying these photographs sometimes runs close to the story they tell, sometimes veers off in its own direction. No photograph in the collection really matches up with Poet MacLeish's main proposition...

Author: /time Magazine | Title: Books: Talking Pictures | 4/25/1938 | See Source »

...violently on the Loyalist side. No longer big-incomed, he managed to raise $40,000 on his personal notes and dispatched the sum to buy ambulances for Madrid, followed soon after (with Joris Ivens, John Ferno, John Dos Passos) to film The Spanish Earth. Returning last June to soundtrack his commentary on the film, he paused long enough to pronounce before the League of American Writers, in his first public speech, a scathing indictment of Fascism, to collect at one private showing of the film in Hollywood $15,000 for Loyalist aid. Though still less "proletarian" than "pro-underdog," this...

Author: /time Magazine | Title: Books: All Stones End . . . | 10/18/1937 | See Source »

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