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...it’s probably the album’s most redeeming track. The latter is beautiful in its own right, but in the larger context of the album, it’s just more back-porch country-blues. Still, it ends the record nicely, serving as a perfect soundtrack for the album cover: a half moon hanging over still water...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: Band of Horses | 10/12/2007 | See Source »

Braff then marveled at the success of the soundtrack for “Garden State,” the 2004 movie he wrote and directed. ”I won a fuckin’ Grammy for making a mix CD,” he said...

Author: By Nicholas K. Tabor, CRIMSON STAFF WRITER | Title: Braff Draws Laughs, Despite ’Poon | 10/9/2007 | See Source »

...have to dumb yourself down for the seemingly corny plot threads of the early episodes, as the show handles well-worn set-ups like a great jazz musician taking on the standards. With a brilliant cast of virtual unknowns, stunning cinematography, and a surprisingly appropriate instrumental-rock soundtrack, this little-show-that-could is set to really come into its own. As the Dillon Panthers say before each game, “Clear eyes, full hearts, can’t lose.”PUBLIC SCORN INDEX: 72%“Tim and Eric Awesome Show, Great...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: The Best TV You Didn't Watch | 9/27/2007 | See Source »

Despite a jihadist uprising in the north, a political crisis in the capital, and rumors of war swirling all around, it's business as usual in Beirut's packed nightclubs. The good-looking people in this good-time town have long partied to a familiar soundtrack of popping champagne corks, clacking high heels and the generic beat of computer-generated dance music - whatever it takes to drown out the sound of Lebanon's continual crises. But for a relatively small number of Beirut hipsters, there's another soundtrack, evoking rather than denying the instability of their lives...

Author: /time Magazine | Title: Sex, Drugs and Rock 'n' Roll in a Failing State | 8/31/2007 | See Source »

...cinematography helps to ground the film in the compellingly nondescript image of New Jersey suburbia, and gives us the documentary-like realism that made “Spellbound” so powerful. This realism is constantly in tension with the whimsical soundtrack by American musician Eef Barzelay that is classical, folksy, and disturbing at the same time...

Author: By Andrew E. Lai, CRIMSON STAFF WRITER | Title: Rocket Science | 8/3/2007 | See Source »

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