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...Psychedelia was supposed to induce a trance-like state with or without drugs?try the effect of the many videos and light shows, like Brits Mark Boyle and Joan Hills' Beyond Image and Son of Beyond Image (1969). With a soundtrack by British progressive rockers Soft Machine, it features projections of colored oil floating on water. Or how about German-born Gustav Metzger's Liquid Crystal Projections (1965/2005), a chill-out room with moving images of colored blobs flung onto the walls?why not turn up, drop in and tune out? tel: (49-69) 2998820; www.schirn-kunsthalle.de

Author: /time Magazine | Title: Listen to the Color of Your Dream | 10/24/2005 | See Source »

...time to rediscover "this forgotten and repressed aesthetic." It's already happening: bizarre flower prints are back in style, and '60s furniture is highly collectible. The show, with art from the U.S., Europe and Japan, assaults most of the senses with concert posters, films, photographs, light shows, soundtracks and an installation - Phantasy Landscape Visiona II (1970) Loh and Behold Avant-garde murals and imaginative furnishings characterise a new Singapore hotel Identity Parade An iconic style magazine marks its quarter century Summits of Style Esoteric treatments in a minimalist setting A Starflyer Is Born In-flight comfort with an internet connection...

Author: /time Magazine | Title: Listen to the Color of Your Dream | 10/23/2005 | See Source »

...that have all polish of their big-label counterparts. Even with rising production standards, “The Craft” still sounds positively sculpted. That’s not necessarily a bad thing, but it has taken their style in a different, colder direction. The album is the soundtrack to brushed aluminum lounges and suede benches: smooth, lush and sensual, but ultimately vacuous. “Automatique” is a dull electronic romp, and the opening track “World of Vibrations” is dragged down by a whining euro-pop hook. It seems like...

Author: By Sam D. G. Jacoby, CRIMSON STAFF WRITER | Title: Review of the Week: The Craft | 10/20/2005 | See Source »

...endearing, but often becomes annoying (and needs to figure out her character’s accent). There are some moments of real tenderness between the two; but the true life of the movie exists not within, but rather around its central characters, in the supporting cast, strong soundtrack, and underlying messages. The minor characters are superb, including the idiosyncratic corporate executive Phil (Alec Baldwin), Drew’s grieving mother (Susan Sarandon), and his cousin Jesse (Paul Schneider), whose proudest moment was almost being the opening act on the side stage of a music festival that featured Lynyrd Skynyrd.Crowe...

Author: By Patrick R. Chesnut, CONTRIBUTING WRITER | Title: Elizabethtown | 10/13/2005 | See Source »

...country music with lingering lyrics, including “Don’t want to shoot nobody, don’t want to get shot” provides the perfect soundscape for vast overhead shots of the iron mine’s barren snow-covered setting. The cinematography and soundtrack crystallize to form a tangible oppression, convincing the audience why this woman made these historic choices...

Author: By Faith O. Imafidon, CONTRIBUTING WRITER | Title: North Country | 10/13/2005 | See Source »

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