Word: soundtrack
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...Faces Down,” in his native Norway eight years ago, and since then he has steadily acquired a devoted and loving fan base. He was brought to a wider audience in North America by his work on the “Dan in Real Life” soundtrack, released in 2007. Throughout his career, the singer-songwriter has dabbled in jazz, orchestral sounds, straight-up rock, or wherever his fancy took him. His sixth studio album presents a mature artist that has found and settled comfortably into his own layered pop sound. Now able to draw from experience...
...lyrics, but it’s melodically stripped-down and uncomplicated—which, considering the alienating quality of some of their more challenging records, is a nice change. “I’m Going Away” is an easy album to like, and a perfect soundtrack to a lazy summer...
...were heavily involved with choosing the tracks for the Garden State soundtrack and you use your MySpace page to promote music you like. Clothing lines and fragrance lines are big with celebrities, but record labels are starting to become the new thing. Ever thought about starting your own label? I have no desire to make money off musicians. I just want to promote them because I want to share music. I love music and I love musicians and when I hear something that's great, I always say it's like you go to a movie...
...become a different sort of true story. That’s the recycling that I’m interested in.” “Fell in Love with a Dead Boy” is a compilation of audio recorded by Popkin, images filmed by Bethel, and a soundtrack produced by Hampshire College sophomore David Nyman. The script was a collaborative effort between Bethel and Popkin that involved Bethel presenting Popkin with scenarios and asking her to describe what she would think and feel in those situations. Approaching the film in this manner made it more real, according...
...Ulysses’ has an inexorable link to Hamlet that I can talk about for hours upon hours.” Vartikar’s iconoclasm extends not only towards the works of Shakespeare but also towards theatrical conventions in general. For example, he decided against a soundtrack. “I hate theatery things, things that look and feel so theatery, these really cheesy soundtracks, piano music, highlighting moments by having tracks under it. It’s very trying to be cinema, trying to be movie,” Vartikar says. “Theater?...