Word: soundtrack
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...good albums (Groove Armada's Vertigo, David Holmes' Bow Down to the Exit Sign) in what is generally a singles-driven culture. As for pop-well, some records were set by various assortments of platinum-bleached boy and girl wonders. But Aimee Mann's work on the Magnolia soundtrack was impressive, and despite the fun I poked at her, I'll say that Madonna's Music is really an infectious album...
...more. The few new songs that were included were the true high point of the show and showed that if the Giants can be described in one word, it would be "eclectic." "Boss of Me" and "Your Mom's Alright," two songs off the new "Malcolm In The Middle" soundtrack, pushed TMBG's usual style, taking the emphasis off the lyrics and focusing more on a straight-out rock sound. The latter song, co-written with M. Doughty, former lead singer of Soul Coughing, displayed the band's artful ability to keep its own very distinct flavor while integrating...
...that was not Shenson's style. With the studio already happy that it would make its money back from the soundtrack album, Shenson struck bold notes. He hired a talented fellow American-in-exile, Richard Lester, to direct the film. Lester had worked with Sellers and Milligan and was a swift-witted TV and film director, alert to the strains of the New Cinema, including the naturalism of handheld cameras and kinetically paced shooting and editing...
...Soundtrack...
When I went to see Bounce, the audience was mostly women, with a few men who probably have a rather sensitive nature. And it is clear that the soundtrack is geared toward the same audience. The first seven artists are women, and from Dido's fabulous "Here With Me" to "Need to Be Next to You" by Leigh Nash from Sixpence None the Richer, the music is mostly suitable for the pop section of Lilith Fair. The only track that deviates far enough from the norm is BT's "Never Gonna Come Back Down," which was also featured...