Word: soundtracked
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...though catchy, are often sometimes just a little too mindless, failing to do justice to Alison’s incredible vocals. While “Head First” may not be Goldfrapp’s most innovative or exciting production yet, it’s a near perfect soundtrack for a retro dance party. After Goldfrapp’s sudden detour into a downtempo, folksy, ambient haze on their last album, the ever-changing duo have come back to life. It’s just a little disappointing that this new life is so fervently fixed in the past...
...Chronicles” is time-stamped by references to specific events and a soundtrack culled from the staples of classic rock. Scoop’s magazine is even called “Boomer” in reference to his peers. For this reason the play could easily feel outdated. What for Wasserstein’s 1988 adult audience would have been familiar, might easily have weighted the college production. But Alter’s direction and the cast’s acting elevate “Chronicles” from a portrait of Baby Boomer women to a larger exploration...
Although moving at times, “The Yellow Handkerchief” doesn’t ever quite do its soothing driving montages justice. This certainly speaks against the film, but it should be noted that the aforementioned montages are truly excellent, with Eef Barzelay’s thoughtful soundtrack adding color to beautifully serene, eerie shots of the protagonists barreling along forsaken southern roads in a faded blue convertible. These scenes provide the viewer with brief respites from the occasionally awkward tension of the film’s plot, which focuses on three loners...
Though the film can be hokey at times, its strong visual appeal and soundtrack, paired with the honesty of the character interactions, prevent “The Yellow Handkerchief” from sliding into mediocrity...
...this cardboard characterization is the fact that scattered throughout this rather awful movie are the makings of a very good one. Director DiPietro is just in the wrong genre. Whenever the film strays into the territory of romantic comedy, it actually works. The lines are funny, the soundtrack is snappy, and the atmosphere is ideal. The actors are winning, if cookie-cutter, and know how to tell a joke. DiPietro is also a very artful showman, able to convey his characters’ emotions through unlikely angles and lush camera work. When his characters change—however...