Word: soundtracked
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...then-extraordinary five years. For a generation of postwar theatergoers, it was cherished like almost no other American musical. In my own parents? rather sparse record collection, it was the one original cast album that got played over and over - the Broadway show music that provided the soundtrack of my childhood...
...strategic terms, this is the McCain campaign's storytelling phase. And as any Hollywood producer will tell you, every story gets a little better with a bar scene and some romance. As if this point might not come across otherwise, the campaign changed the pre-event soundtrack Thursday before the speech at Cecil Field Naval Air Station. Instead of the McCain road show's usual songs like U2's "City of Blinding Lights," the speakers played "Danger Zone," the Kenny Loggins pop song made famous in the film Top Gun, a story of another hot-dog naval aviator who overcame...
...incorporated ideas like algorithms and cognitive mapping into his work. In Sulphur 16 (1998), his dancers performed among spectral computer-generated figures, as if in a human-scale chess game. In Nemesis (2002), inspired in part by insect behavior, his dancers dueled with prosthetic steel arm extensions to a soundtrack incorporating mobile-phone conversations...
...Immediately the scene cuts to a beachside menage-a-trois. Talk about throwing a bone to the audience. The movie eventually collapses into a sloppy mess. The dialogue is inane and stale, and the attempts at witty punch lines and dry humor consistently fall flat. The generic suspense movie soundtrack also gets boring fast. Few of the characters in this story have any on-screen chemistry at all. The pace of the film is quick but jerky, and the first half seems disconnected from the second. Finally, the script seems to feature numerous comedic motifs that are just annoying...
...specific. In the last thirty minutes Dunn abandons her focus on the battle over Barton Springs to examine the issue of urban sprawl more generally. The end of the film loses its momentum as Dunn neglects her human subjects in favor of familiar generalizations about environmental conservation. The soundtrack switches from the bluesy sounds of Patty Griffin and Jeff Beck to generically-epic instrumentals.A more serious flaw is Dunn’s failure to fully explore the larger implications of Barton Springs’ story. Not all of those who transplanted to Austin are as unsympathetic as the couple...