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...world increasingly immune to the horrors of war, how to engage audiences without turning them off? With Soundtrack and its 2006 sequel, Rampage, which follows a rapping Marine home to Miami and the hip-hop studios of New York City, Gittoes cracked the creative jackpot, with films that could just as easily play on VH1 as in the current documentary-obsessed contemporary art world. (Three years on, curators can't get enough of Soundtrack, which, from March 9, screens as part of the third Auckland Triennial, called "Turbulence.") Gittoes' use of popular culture to explore the Iraq...

Author: /time Magazine | Title: A Pop-Art History of Warfare | 2/15/2007 | See Source »

Diana Krall fans might breathe a sigh of relief. U.S. Marines in Iraq play and sing plenty of music in George Gittoes' documentary Soundtrack to War (2004)-from gore metal to gospel, thrash to rap-but the Canadian songbird's contemporary jazz is not included. "We support you, Diana," says one soldier in the film. "We just can't listen to you when we roll." It's one telling moment in a movie filled with them. Another is the scene where a gospel choir in U.S. Army fatigues breaks off its outdoor rehearsal because of enemy fire: "That...

Author: /time Magazine | Title: A Pop-Art History of Warfare | 2/15/2007 | See Source »

...These films are also giving new audiences access to the wider world of this maverick. The loudest soundtrack to Gittoes' current life is provided by the white cockatoos outside his coastal studio at Bundeena, in a national park just south of Sydney. Here his drawing desk-part of an old cabinet propped up on bricks-seems as improvised as his career. The son of an administrator and a ceramicist, Gittoes dropped out of law studies and, inspired by the visiting modernist art critic Clement Greenberg, traveled to New York in 1968. He studied with the social-realist painter Joe Delaney...

Author: /time Magazine | Title: A Pop-Art History of Warfare | 2/15/2007 | See Source »

After changing everyone’s lives (thanks, Natalie Portman), James Mercer and his Portland posse are back. The Shins, whose jangly melodies and eccentric poetry became all too well-known with a double appearance on the “Garden State” soundtrack, now experiment with a more fleshed-out sound on their third album, “Wincing the Night Away.” The tracks off “Wincing” are less instantly adorable than the band’s former hits. Upbeat tunes “Australia?...

Author: By Nayeli E. Rodriguez, CRIMSON STAFF WRITER | Title: The Shins, "Wincing The Night Away" (Sub Pop) - 3 stars | 2/8/2007 | See Source »

...success of the soundtrack helped sustain Henzell's film at the box office, where it has remained a cult staple of festivals and late-night college specials ever since. But after he struggled through the 70s to finance and shoot a still more experimental follow-up, No Place Like Home, the director's career stalled completely when the negatives went missing in a New Jersey warehouse. "It broke his heart when he lost that footage," says his daughter Justine. "He'd put all his time energy and money into it and then it was gone." So Henzell gave...

Author: /time Magazine | Title: From the Underworld of Jamaica to the London Stage | 2/7/2007 | See Source »

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