Word: soundtracked
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...other words, if the prospect of seeing ultimate surfer dude Wilson running from bullets set to a throbbing soundtrack and witnessing Hackman climb into a Navy plane to mete out his special sauce of Hackman street justice appeals to you, then Behind Enemy Lines will be sure to entertain this weekend...
After the “Prologue,” the soundtrack ranges from soaring (“Harry’s Wondrous World”) to frenzied (“Hedwig’s Theme”) to downright creepy (“Christmas at Hogwarts”). Throughout, though, Williams maintains an air of magic befitting a Potter tale. There are chimes and bells aplenty to keep things mysterious—even the full-blown orchestral passages have a certain otherworldly feeling about them...
Everywhere in the Harry Potter soundtrack, Williams’s mastery of the film score genre is readily apparent. Indeed, a composer as gifted and accomplished as Williams may only have one legitimate complaint: After 40 years of wild success, it gets harder and harder to produce music that is both new and brilliant. While the Harry Potter score is certainly great music, it doesn’t represent a breakthrough in the field. It sounds like the quintessential movie soundtrack because it is similar to a lot of other movie soundtracks, particularly Williams’s older work...
...World” smacks of the closing theme from 1980’sThe Empire Strikes Back, also by Williams. And the eerie holiday vibe of “Visit to the Zoo” will make you swear that you’re listening to Williams’s soundtrack from 1990’s Home Alone...
...enjoy the Harry Potter soundtrack for what it is—not a brand-new idea, but great movie music, Williams style. And after fans see the film a few dozen times, and a few pops orchestras play the score at holiday concerts, maybe Harry Potter and the Sorcerer’s Stone will join Superman, Raiders of the Lost Ark and so many other Williams works in the canon of American pop culture, forever etched in our collective consciousness...