Word: soundtracking
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Dates: during 2000-2009
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...were three older women (they had to be at least thirty) practicing double-Dutch. Realizing that our interest was piqued, they invited us to watch their jump roping show. The three butchered nearly every trick they tried, smiling sheepishly and muttering excuses under the beat of their hip-hop soundtrack. At the end of the show they handed us flyers for the jump rope lessons they taught, which we promptly threw out at the next available trash...
...audience, Rex’s role in the movie does not figure prominently. “Sex Drive” follows this theme throughout—getting the peripherals right, but lacking central content. The audience will probably walk away with the memory of minor details, like the soundtrack, which fits perfectly with a number of scenes in the movie. The way Instant Messenger graphics pop up like a thought bubble next to Ian while he’s online is clever. Seth Green is great as the random Amish car enthusiast, and Fall Out Boy makes a surprise appearance...
...pervasiveness of digital change. Perhaps the most arresting installation is “Lossless #3,” a highly pixilated and compressed version of John Ford’s classic Western “The Searchers.” The film contains neither plot nor dialogue, and the soundtrack mostly consists of eerie pitches that echo throughout the entire gallery. When a recognizable noise breaks through—whether it be a gunshot or a trumpet announcing the beginning of a march—the sound is surprisingly comforting. At times this coincides with violence in the movie?...
...authenticity, using a widely acknowledged sellout on your album is not the best way to go. “Lookin’ Fly” has just enough posturing and repetition to make it danceable. Still, nothing on the album holds a candle to his breakout Madden NFL 2008 soundtrack hit, “Dreadlocks.”Eighth track “Sooo Comfortable” attempts to be a laid-back sort of stoner jam, and mostly succeeds. But MURS does not actually use drugs, despite his natty Rasta dreads, and is unconvincing as a guy tooling around...
...quote a friend, “Those nuns got mad ’sploited.”) These uncomfortable encounters included shaky camerawork as the handheld camcorder filming the scene zoomed in and out unexpectedly. But the highlight of each scene was the music: an amazing and hilariously malapropos soundtrack that sounded something like a Clapton-fronted Mariachi band.There is, however, more to the experience of watching “Les Demons” than simply what appears on the screen and rumbles through the speakers. Jesus Franco, the movie’s prolific director, has a reputation for being...