Word: soundtracking
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...genre demanded longer takes and a slower pulse; zombies are no sprinters. The new film has to be zazzier, even when nothing much is going on. Hut Fuzz gets many of its laughs the laying on of a Joel Silver hyped-up editing tempo and a macho drum-machine soundtrack to punctuate the interrogation of underage tipplers and the issuing of parking tickets...
...slightly stereotypical character. The music and cinematography are excellent, and their subtle contributions bestow an overtly professional and polished quality to the film. Cinematographer David Frazee guides the camera expertly to capture the natural beauty of Vancouver and the isolating qualities of urban life. The soundtrack is up to date and appropriately paced, accentuating the funky demeanor of the plot while moving the film between scenes. “Everything’s Gone Green” combines typical independent film components into a unique and pleasing package that entertains and pushes the correct intellectual buttons. The ensemble effort successfully...
...film’s only saving grace is its soundtrack, a compendium of Delta blues both new and old, running the gamut from Son House to the North Mississippi Allstars. The trailer itself features “When The Lights Go Out,” a great track from The Black Keys’ 2004 album “Rubber Factory...
...ears, growing to become fully satisfying by the end of its layered loudness. But after the fairly boring “Break in Case of Anything,” “Infinifold” closes the disc with a slow, melodic shift that could be on the soundtrack of “Garden State” for its over-the-top effort to elicit emotion. Despite its obvious goal, “Myth Takes” is not so much hit or miss as either dance-commanding or mildly acrid. That’s the catch of looping disco...
...people have packed schedules, so having 10 characters gives us more time to help people develop their language and also develop their characters. The music of the show was important to both directors, and they used their personal experience and expertise to create an original soundtrack that would enhance the production without drawing attention away from the action or the character development. Salas: I feel like a lot of people do “cool” stuff rather than well-chosen stuff. I feel that that does not lend itself to be kind of obscure aesthetically, which I think...