Word: soundtracking
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...Music is an essential part of this film. How did you pick the soundtrack...
...songwriting—think “Juicebox”—and has failed to correct such issues. “Brakelights” does not offer any compelling musical ideas with the exception of a breakdown with computer-generated blips reminiscent of the Super Mario Bros. soundtrack...
Scenery in the movie consists of a hotel room, a desert, and a car. Also, a cave. The soundtrack, like the storyline and Grant Heslow’s direction, is forgettable, consisting of predictable tone music and a single use of “More Than a Feeling.” To be fair, the film does have several good lines (Clooney to a fleeing Iraqi, before hitting him with a car: “It’s okay, we’re Americans—we’re here to help you!”), delivered with...
...That makes Eternal rather too stirring to do duty as a soundtrack to a massage or dinner party, so save it for when in a cosmic mood. Pour a glass of something, close your eyes and let your soul soar through those boundless Tuvan skies. If these rousing sensations inspire you to strip off your shirt and strike macho poses while straddling a horse, well, fine. But we recommend you keep the photos to yourself...
...Cutie’s Ben Gibbard. On “One Fast Move or I’m Gone: Kerouac’s Big Sur,” Gibbard and Jay Farrar—of Son Volt and Uncle Tupelo fame—collaborate to craft a soundtrack to an upcoming documentary about Jack Kerouac’s 1967 novel “Big Sur.” Lyrics for the soundtrack are entirely drawn from the novel’s text, but while the project’s concept is intriguing, the album itself proves disappointing. Though certain tracks...