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Aside from the fine acting of Albert Prejean, the movie's great merit is two very good songs. Anyone who is captivated by these songs cannot help but like the whole show, since one of them, Sous Les Toits de Paris, is sung about fifteen times. Furthermore, Roofs cured this reviewer of a nasty hangover, and presumably will do the same for the general public...

Author: By Daniel Field, | Title: Under the Roofs of Paris | 4/21/1958 | See Source »

...manages to take a personal interest in handsome young writers. Madame Simone is haughtily and heartily despised by the "Blue" faction (named for the hue of its blood), led by a scientist, mathematician and relative youngster, the Duchesse de la Rochefoucauld, 62. An oldtime suffragette and notorious pincher of sous (says a fellow juror: "She dresses in a splendid mink coat lined with rayon"), the Duchesse blazed in protest when her arch-antagonist grandly announced that she would accept no other Femina choice for 1957 than Le Carre four des Solitudes (The Crossroads of Loneliness), by Christian Mégret...

Author: /time Magazine | Title: Books: Hatpins & the Femina | 1/13/1958 | See Source »

...king," wrote Blaise Pascal, "I believe he would be almost as happy as a king who dreamt every night that he was a workman." Borrowing plots from great philosophers is a quick way to get out of the movie business, but this time the borrower is René Clair (Sous les Toits de Paris, Le Million), a man as skillful with pictures as Pascal was with ideas. The result is a wonderfully natty little reductio ad absurdum-"all bird," as one observer put it, "and no stuffing...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 5, 1954 | 4/5/1954 | See Source »

...Cousin Rachel (20th Century-Fox), co-starring Newcomer Richard Burton and Olivia de Havilland, who is hopeful of a third best-actress Oscar (previous awards: 1946, 1949). The studio's dark horse: Stars and Stripes Forever, with Clifton Webb playing the late John Philip Sous'a (see below...

Author: /time Magazine | Title: Cinema: Post Time | 12/29/1952 | See Source »

...windows and peers out from behind shrubbery. As the young Faust, Gerard Philipe is a romantic figure. Director Clair describes his picture as "tragicomedy." It has neither the passion of Marlowe's and Goethe's Fausts nor the visual inventiveness of Clair's best films (Sous les Toits de Paris, A Notts La Liberte), but it is an unconventional and diverting treatment of a traditional tale...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 15, 1952 | 9/15/1952 | See Source »

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