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Dartmouth administrators have criticized the Review's reporting and editorial policy, and are refusing to provide the paper with university information until its editors drop "Dartmouth" from the paper's name. Dinesh D'Souza, editor of the Review, said yesterday that the College's action amounts to a "tyrannical, reactionary attack on first amendment rights...

Author: By Charles D. Bloche, | Title: Reagan Note Boosts Dartmouth Review | 10/17/1981 | See Source »

...Souza said that Ralph Manuel, dean of the college, wrote a letter accusing the paper of printing "racist, sexist and ethnic slurs and other matter of obviously bad taste." Review editors hope Reagan's letter will answer such criticism, D'Souza said...

Author: By Charles D. Bloche, | Title: Reagan Note Boosts Dartmouth Review | 10/17/1981 | See Source »

...Review stands in the mainstream of student and alumni opinion, D'Souza said, adding that its founding last spring filled a gap left by the "editorially biased" Dartmouth, the college's daily newspaper...

Author: By Charles D. Bloche, | Title: Reagan Note Boosts Dartmouth Review | 10/17/1981 | See Source »

...into the limelight two years ago with In Patagonia, a stylish piece of travel writing. The Viceroy of Ouidah finds his jeweler's eye playing over 19th century West Africa. The book is a novelization of the life and death of a footloose Brazilian named Francisco Felix de Souza, who flourished as a slave trader under the protection of the King of Dahomey. Chatwin began his research nine years ago in Dahomey and returned in 1977 to find the country named the People's Republic of Benin. "The fetish priests of Ouidah," he notes, "had put pictures...

Author: /time Magazine | Title: Books: Notable | 12/22/1980 | See Source »

Other pictures are more emphatically striking: a large color photograph by Paul Souza, shot through a tilting windshield, containing a snaking road, dark cliffs and, above the foreshortened yellow strip of the car's hood, an exultant view of sunstruck clouds--a kind of visual trumpet blast. Essentially the same compositional strategy, and the same dramatic clarity, are on view in a black-and-white photograph of an industrial wasteland by Roswell Angier: in the foreground, framed by a windshield and side-window, we see the blurred silhouette of a rearview mirror, a woman's blanketed back, a squinting Indian...

Author: By Larry Shapiro, | Title: Refinements of Reality | 5/12/1980 | See Source »

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