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...bears the scars of his days as a Buchenwald prisoner. Though Pierre-Paul Schweft-zer, 55, spoke rarely, he got undivided attention when he did. As managing director of the 107-nation International Monetary Fund-which acts as an arbiter of exchange rates, guardian of fiscal good behavior among sovereign states, and rescue squad for countries in financial trouble-Schweitzer holds a pivotal role not only in the present struggle to shore up the world's money system but also in the reforms that seem certain to come...

Author: /time Magazine | Title: Money: It Could Be Dawn | 3/29/1968 | See Source »

...dozens of nations, from Austria and Italy to Sweden and Ireland, ordinary citizens rushed out to buy gold coins to stuff socks and mattresses, cleaning out numismatic stocks virtually overnight. In London, a $20 U.S. gold piece sold for $56, a ? 1 British sovereign for $10.20. In Geneva, the Swiss lined up at tellers' windows to convert their savings to gold bars. There was even a run in Hong Kong on gold jewelry. All told, between $1 billion and $2.5 billion in gold may have changed hands within ten days in London-as much as 10% of the total...

Author: /time Magazine | Title: Europe: Speculative Stampede | 3/22/1968 | See Source »

...King as Disraeli is debonair and mellifluent, a prince of players who conveys the facility of the successful novelist as well as the astuteness of the statesman. James Cossins' Gladstone is a subtle creation, the portrait of an un compromising man doing an honest, thankless job for a sovereign who can not abide him. But the play belongs to Miss Tutin. In the final act, without benefit of makeup sorcery, she and Victoria edge into old age. The fatigue of existence enters her voice, slows her step, dims her eyes like a patina. It is an august portrayal...

Author: /time Magazine | Title: New Plays: Portrait of a Queen | 3/8/1968 | See Source »

...Empress Catherine of Russia had a passion for almost anything that could fit in her boudoir. That (and she) took in quite a lot, but the insatiable sovereign nevertheless beat it down to the stables where, when the grooms gave out, she dallied with the dobbins. (She met her death, they say, while mounting a horse in a somewhat unusual fashion...

Author: By Stephen E. Cotton, | Title: All the Queen's Men | 3/6/1968 | See Source »

Francisco Goya was 54 and at the height of his fame and powers in 1800 when, as first court painter, he was called on by his sovereign, King Charles IV, to immortalize the royal family. The shimmering panorama that Goya created has been called his supreme tour de force. With devastating candor, he laid bare the indolence of the King, the shallow depravity of Queen Maria Luisa (whose intrigues on behalf of her lover Godoy had reduced the Bourbon court to its final debility), and the self-centered vacuity of their relations. In imitation of Velasquez' 1656 portrayal...

Author: /time Magazine | Title: Painting: A Share in the Bacchanal | 12/22/1967 | See Source »

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