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...Gore has been sounding positively soulful lately. Yes, that Al Gore. In campaign appearances the former divinity student talks about the struggle between good and evil, and invokes Jesus Christ's parable of the sower to explain how media violence subverts children. In New Hampshire, Gore compared the alienation of Cain--the first murderer--with the forces that drove two teenagers to commit the same sin in Colorado. He mused to a Washington Post columnist that society has finally reached "the end of a 400-year period of allergy to faith...

Author: /time Magazine | Title: Taking a Leap of Faith | 6/7/1999 | See Source »

...sequences of an Edenic Montana 70 years ago. Norman (Craig Sheffer) is the dutiful son, a young man soberly grappling throughout the film with the question of how to find and lead a useful life. Paul (Brad Pitt) is the classic younger brother and minister's son, a charming sower of wild oats. He works casually at a raffish trade, newspaper reporting. He drinks. He gambles. He womanizes carelessly. It is only on the river that he asserts his true strength as a guileful fisherman, a man who makes a hard-won skill look easy. Here (and here alone...

Author: /time Magazine | Title: Fishing For A Useful Life | 10/19/1992 | See Source »

...Absolutely clear ... A frenzy of impastos of the faintest yellow and lilac on the original white mass"). Even his symbolism leaves its traces. One cannot see the purple underlights in ploughed furrows against the sunset without thinking of the strange, dull mauve luminescence that persvades the earth in The Sower, helping suggest that this dark creature fecundating the soil under the citron disk of the declining sun is some kind of local deity, an agrestic harvest god. One apple tree will evoke the Japanese roots of Van Gogh's spike line; another will suggest how Piet Mondrian...

Author: /time Magazine | Title: Art: The Visionary, Not the Madman | 10/22/1984 | See Source »

...Welsh has assembled many of the best-known paintings, from the burning and writhing Sunflowers through the spiky lateen-rigged boats on the Camargue beach at Stes.-Maries; from the bedroom in the Yellow House at Aries to the tiny, dense icon of The Sower, a stubborn black lump distributing flakes of seed under the vast Apollonian wheel of the setting sun. Yet although these images have joined the noble cliches of art history, they can be seen afresh through their relationship with the work of other artists. The service this show does for Van Gogh is to place...

Author: /time Magazine | Title: Art: Prophets of an Archaic Past | 2/23/1981 | See Source »

...before the century ended, these paintings, together with Millet's Angelus, had become the most popular works of art in the new age of mass production, disseminated by millions of engravings, postcards, knickknacks and parodies. The Sower became the Mona Lisa of socialism, but it served capitalism equally well as the corporate emblem of its owners, the Provident National Bank in Philadelphia...

Author: /time Magazine | Title: Art: A Great Lost Painter | 2/23/1976 | See Source »

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