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...hours the museum is packed with schoolchildren in uniform, pressing their noses against the windows of the cases; chattering; some horseplay from the bigger boys. On display is all that became of Hiroshima once the bomb dropped, along with historical memorabilia such as the directive from Lieut. General Carl Spaatz, commander in chief of the U.S. Strategic Air Force, ordering that the city be bombed; a large photo of the A-bomb known as "Little Boy," looking like a sea mammal in profile; messages of resolve or condolence from distinguished visitors; leaflets dropped by the Americans in early August...

Author: /time Magazine | Title: What the Boy Saw: A Fire In the Sky | 4/12/2005 | See Source »

Died. Carl Andrew ("Tooey") Spaatz, 83, architect of American air strategy during World War II; of heart disease; in Washington, D.C. A wiry, energetic West Pointer, General Spaatz directed the bombings that paved the Allied path from Africa to Sicily to Italy, then engineered the massive daylight bombardment of crucial German industrial targets. He later carried out the destruction of Hiroshima and Nagasaki after his opposition to the atomic bombing of cities had been overruled. When the Air Force became the military's third full branch in 1947, the erect, taciturn general was named its first chief of staff...

Author: /time Magazine | Title: Milestones, Jul. 29, 1974 | 7/29/1974 | See Source »

...Morley (Zero Mostel) is, by self-definition, "a flaming faggot." He is also a zany, successful author who has never paid his income tax. The I.R.S. has ferreted out his secret, and Morley has been forced to throw himself on the mercy of tax advisers. His chief consultant, Irving Spaatz (Jules Munshin), is a legal weasel of wizardry inventiveness. Munshin plays the role in droll fashion and is astonishingly agile at working his way through a verbal tax maze of inflated gibberish that includes explanations of convertible debentures, spinoffs, and sale-leaseback arrangements...

Author: /time Magazine | Title: New Plays: The Latent Heterosexual | 3/29/1968 | See Source »

...first tax advantage nearly fells Morley. Spaatz tells him that it would be economically advisable for him to marry-and the helpful tax man even supplies a woman: the city's leading whore (Chris Richard). Morley is aghast. "To marry a woman would be a betrayal of my identity," he whines as he minces about in an elephantine parody of homosexuality. But marry he does, and he is transformed by Chayefskyean legerdemain into a happy, prospective father. To his considerable grief, the child is stillborn. Meantime, with his tax man spurring him on, Morley has acquired a corporate identity...

Author: /time Magazine | Title: New Plays: The Latent Heterosexual | 3/29/1968 | See Source »

...cannot stand up at all as his arms and legs go rigid. Sitting mutely in a chair as if immobilized by a stroke, he seems to live only with his eyes, which roll in a fine frenzy as his latest financial coups are related to him by the omnipresent Spaatz. The time inevitably comes to get divorced for tax purposes, and then Morley kills himself-for tax purposes. In a final scene of immense sadness and gravity, Mostel performs the rite of hara-kiri with a pair of garden shears. As Japanese music plays offstage, he achieves a remarkable blend...

Author: /time Magazine | Title: New Plays: The Latent Heterosexual | 3/29/1968 | See Source »

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