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...surprisingly, the show has at its creative helm one of the minds behind the best quirky sitcoms of the 1990s. Daniels is an Emmy Award-winning writer who penned the classic “Parking Space?? episode of “Seinfeld,” co-created “King of the Hill,” and served as co-executive producer of “The Simpsons” in its mid-90s heyday. He wrote two Halloween Specials along with the priceless “Homer Badman,” in which Simpson...

Author: By Michael M. Grynbaum, CRIMSON STAFF WRITER | Title: How Harvard Remade ‘The Office’ | 4/15/2005 | See Source »

states, “a lot of goodwill has slowly led up to building an audience.” As some of the early comedians began to develop notoriety, however, the Comedy Studio began to take off, filling the space??s 60 seats to capacity on a regular basis...

Author: By Beau C. Robicheaux, CONTRIBUTING WRITER | Title: THE HOT SPOT: The Comedy Studio | 4/15/2005 | See Source »

...Quadrangle Recreational and Athletic Center (QRAC) will close at 5 p.m. tomorrow in order to begin approximately five months of renovations which will overhaul the space??and replace one of its basketball courts with a dance studio and performance space...

Author: By Jessica E. Schumer, CRIMSON STAFF WRITER | Title: Quadlings Brace as QRAC Shuts Doors | 3/24/2005 | See Source »

Squash enthusiasts will be devastated by the transformation of Adams basement’s squash courts into the flourishing ArtSpace gallery/studio. Art lovers, however, are welcome to suggest or help plan one of the space??s frequently changing exhibitions (contact Jen Mergel ’98 at jmergel@andover.edu). Adamsians can also indulge their repressed graffiti-artist urges by submitting and painting designs during the annual spring Tunnel Painting of Adams’ basement walls...

Author: By Madeline K. Ross, CONTRIBUTING WRITER | Title: Artists in Residence | 3/3/2005 | See Source »

...resources we have both at the ART [American Repertory Theater] and within the Harvard faculty are great, as is our access to performance space??but it’s quite frustrating that Harvard generally does not recognize the potential for academic work in theater, unlike some of the other arts. It’s wonderful that I’ve been able to build a special concentration and gain academic validity in the eyes of the school for the work I do, but nevertheless that line still separates the performing arts from the plastic arts and film?...

Author: By Cassandra Cummings, CRIMSON STAFF WRITER | Title: Spotlight: Michael M. Donahue '05 | 2/24/2005 | See Source »

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