Word: space
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Dates: during 1980-1989
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Randy was there. In the endzone. Somehow he had managed to slip past a gigantic Crimson secondary and find a patch of open space in the endzone. Just a little batch of green in the corner of the endzone, but Randy was there...
...month to work on the details of the INF pact. He brought with him a proposal refining Soviet demands that research and development of Star Wars weapons be restricted. Under the new Soviet plan, defensive technology in five categories -- kinetic kill vehicles, particle and laser beams, electromagnetic weapons, and space-based mirrors -- could be tested anywhere, including in space, as long as they were less powerful than certain agreed-upon levels, or "capacity thresholds." The testing of more powerful systems would be confined to laboratories on the ground...
...Stella was convinced that abstract painting, for its own survival, would have to take practical lessons from old masters like Rubens and Caravaggio; it must find an "independent pictorial space to establish its ties with the everyday space of perceived reality." This ran counter to the whole argument of American formalism -- and of the movement with which his early black, aluminum and copper stripes had been associated, minimalism -- which strove to isolate the space of pictures from that of the real world. The results were a set of brilliantly colored oblique reliefs, the Brazilian paintings of 1974-75, followed...
...tradition with a barrage of fireworks: there is something funereal as well as celebratory about the sight. It seems improbable that anyone (other, perhaps, than Stella) will manage to wring more from the constructivist impulse. If you want to see the common ancestor of these frenetic and space- grabbing objects, it is upstairs at MOMA, a little thing of rusty tin: Picasso's 1912 Guitar. Thinking about Picasso, Stella had come to realize that "it's not the presence of a recognizable figure in Picasso that in itself makes things real, but his ability to project the image...
Stella had to kick free of the literal basis of color-field painting; the flat color on a flat plane, the "dictatorship of the medium," had killed off the project of making abstract forms that, by moving in deep pictorial space, reawakened one's sense of the body. His way of doing this, in paintings from the Indian Birds series like Ram gangra, 1978, was to get rid of the solid back plane and replace it with a mesh support, so that the shapes seemed to hang in the air. The relatively sedate movement of form in Stella's earlier...