Word: space
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Dates: during 2010-2019
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...challenge of Cubism, he approached the very edge of abstraction. Things and people were reduced to concise signs of themselves, but in the end Matisse always remained attached to the visible world. Just look at Goldfish and Palette, from 1914, in which light and shadow, form and space, are distilled into ambiguous stage flats. Is that black strip down the center of the painting a wall or a shadow? Actually, it's the central mullion of a window and its shadow, widened and dislocated by perception and imagination. Planes of pure color pressed tight against the surface of the picture...
...even as he struggled to gain a wider public, Matisse was losing his position as leader of the Parisian avant-garde to Picasso, 12 years his junior. Young artists were fascinated by the militant astringency of Cubism and its systematic means of exploding form and space. Compared with the bristling brown surfaces in Picasso and Braque, even Matisse's fiercest pictures, with their dizzying color, could look a bit "decorative" - a dismissive word thrown at him all the time. (See some artists from the 2010 Whitney Biennial...
...Matisse relocated to Nice, in the south of France, and in much of his work over the next three decades he would return - you might say retreat - to more conventional renderings of space and form. Decades passed before other artists began to draw out the full implications of his fertile experiments. Color-field paintings, for example - the big monochrome wafers of Ellsworth Kelly, the gossamer pools of pigment in Helen Frankenthaler - would emerge directly from Matisse, but not until the 1950s. Maybe we didn't understand him too quickly after...
...women are a constant reminder of where we as a society have failed, and so we choose to look away. We all do. When an elderly man asks us for change outside CVS or Uno’s, we pretend not to hear, or stare blankly into space while quickly moving on our way. However, becoming habituated to homelessness is not strong; it is callous. This is not to say that we are obligated to give money to the homeless on a daily basis, but we must not pretend as if they do not even exist or are somehow less...
Those bright, colorful lawn chairs have had a positive impact in helping create a social space, according to Susan Shefte, director for planning, analytics, and business services at Harvard University Hospitality and Dining Services...