Word: spaced
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Dates: during 1990-1999
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...idea that moral and ethical truth exists in the point of view of the beholder--owed nothing to Einstein (who believed the opposite), except a generalized homage to revolutionary thought. Art's elimination of semblances to the physical world corresponded vaguely with Einstein's way of seeing time and space, but it really sprung from an atmosphere of change, in which Einstein was yoked with Freud, Marx, Picasso, Bergson, Wittgenstein, Joyce, Kafka, Duchamp, Kandinsky and anyone else with original and disruptive ideas and an aggressive sense of the new. By that tenuous connection did the discoverer of relativity become...
...know the truth but also of the capacity to know the truth. In his 1993 novel, Einstein's Dreams, Alan Lightman writes, "In this world time is a visible dimension. Just as one may look off in the distance and see houses, trees, mountain peaks that are landmarks in space, so one may look out in another direction and see births, marriages, deaths that are signposts in time, stretching off dimly into the far future." It does not take much of another stretch to attach godhead to such a vision, though that was hardly Einstein's own feeling...
...finally, is he so important to the age? Not because he personified brainpower--not because he was "an Einstein"--but rather because he demonstrated that the imagination is capable of coming to terms with experience. Simply by gazing into existence, he concluded that time and space could be warped, that mass and energy were interchangeable. He understood that the world was a puzzle created for deciphering and, more, that a person's place in the order of things was to solve as much of the puzzle as possible. This is what makes a human human; this, and the governing elements...
...peers in the modernist pantheon--was not much interested in modern design and architecture's streamlining ways. Or in the ability of books and magazines more and more perfectly to replicate artistic icons past and present. Or in the capacity of the movies to create their own time and space, independent of observed reality. We must imagine him, instead, mourning with the great critic Walter Benjamin the destruction of the artwork's "aura" or magic, deriving from its uniqueness, its firm roots in a specific historical place...
Standing in an unstable universe where distances contract and clocks slow down, and time and space are plastic, Albert Einstein cast a wistful backward glance at Isaac Newton. "Fortunate Newton, happy childhood of science!" he wrote. "Nature to him was an open book, whose letters he could read without effort...