Word: spaces
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Dates: during 1940-1949
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Many others will agree, I'm sure, with the idea that as long as the evolution progresses from the solid body to the space between the eye and the object, and from there to the back of the mind, the next step after modern art will be taken by a man with a hole in his head...
Unemotional Editor McGill ran the Pegler column in its usual space, appended a tolerant editorial note: "We often get a bang out of some of Mr. Pegler's strange obsessions . . . Somehow it was not at all surprising to find him . . . using [Miss Mitchell's] death as a vehicle for rebuking the Roosevelts. We knew [her] well enough to know she made up her own mind . . . Certainly she would not [have been] swayed by the influence of an unwise, emotional Westbrook Pegler, an insensate Roosevelt-hater, whose column [may] have swayed and-deprived inferior minds...
Then, in a lull after three hours of wild shooting, the chief spotted movement in the narrow space between the house and the next-door apartment-Craig was out and trying to get away. The chief opened fire and Craig, huddled in the deep shadows with a pistol in either hand, began shooting back. Two detectives stepped in, Tommy guns hammering, and Craig went down-shooting even as his body twitched under the blows of bullets. The big fight, in which five policemen, one child and one woman bystander had been wounded, was over...
...most prosperous of the Scripps-Howard chain of 19 papers. After a month's stay in Britain exploring the economic crisis, Leech had turned out a series of articles which started running in 30 U.S. papers last week. Despite the newsprint shortage, most London dailies also devoted precious space to Leech's report, while the pro-Labor press rapped him as a "poison...
Giotto, says Ortega, was "a painter of solid and independent bodies." Three centuries later, Velasquez emphasized "hollow space"-the area between the eye and the thing seen. In recording only a dazzle of colored lights, the impressionists brought painting smack up to the retina. Picasso carried the same process a step further, painting what was back of the eyeball, inside his head. "[In the Picasso school] the eyes, instead of absorbing things, are converted into projectors of private flora and fauna. Before, the real world drained off into them; now, they are reservoirs of irreality...