Word: spacing
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Dates: during 1960-1969
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...rowing tanks, a gift of the Friends of Harvard Crew, will improve the Crimson crews' Winter program. The new tanks will provide Harvard rowers with additional indoor rowing space and by providing faster-running water and a boat tilt, will simalate river conditions far better than...
Several conditions make Mather a special case in relation to coed living. About 100 Harvard juniors who want to move from their present Houses into Mather have been invited to apply to Mather to fill presently vacant space. Mather's low-rise section is scheduled to open February 2, when the 134 sophomores presently affiliated with the House will move in. This low-rise section will house 250 students: the sophomores already accepted to Mather, a few transfer students, and the 100 juniors who have requested a transfer. The Mather tower, which will house another 140 students, will not open...
Complying with a City Council order, the University has set back the fence around the Gund Hall construction site, to give pedestrians a full five feet of walking space on the adjacent sidewalk. The Council had issued a permit for the fence, but threatened to revoke it after hearing complaints that the fence-then in the middle of the sidewalk-was forcing pedestrians to walk in the street...
...film must have been a prison. The cells, psychiatric or criminal, in which characters are repeatedly locked completely differ from the one cell that appeared in The Gambler. That room realized the romantic plight of its inhabitant, Mabuse's mistress: trapped by her love for him in a space which, though closed, had great depth. By betraying him she could have escaped. Her refusal left her at least the room for the full violent expression of her emotions, throwing herself upon the barred door, running from it toward the camera. One camera angle, very long takes, sufficed to show this...
...quality of ideality that informs every action depends on the film's even pace-but also on its soft lighting, its gentle depth, its unity of space within the frame. All these devices contribute to the unity and flow of the action. This total integration, though it lasts through the film, does not remove emotional intensity from the ongoing action. It rather lets every incident and every gesture assume tremendous weight for no formal structure opposes the actions within the frame...