Word: spacing
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...bare, dark void. For set designer Grace C. Laubacher ’09, however, the theatre becomes a blank canvas, the medium for her art. From the skeletal, caged streets of London in “Sweeney Todd” to the scientific underworld of “The Space Between,” Laubacher has been set designer and technical director for more than 20 productions on campus.In recognition of her extensive work, Laubacher, who is also a member of the Harvard-Radcliffe Dramatic Club and co-founder of the Harvard Stage Designers’ Collective, has been awarded...
...arts at Harvard. While the youthful nature of the joint program with the NEC provides logistical challenges, Kapusta anticipates calendar reform and the maturing of the program will be able to remedy those issues. His only other “dream” for Harvard would be a performance space more suited to operatic performances. “Both [Harvard opera] companies perform in a dining hall,” he says, “which is part of their tradition, but in some ways is sort of limiting.” After graduation, Kapusta intends to take a year...
...wanted.” At Harvard, Priour has been involved in an enormous variety of venues, from small-scale productions to those held on the Loeb Mainstage. “I’ve had the honor or the luck to fall upon most of the spaces in Harvard, probably mostly because I did way too many shows most semesters,” he says. “I’ve been in the Radcliffe Sunken Garden, which is like this little patch of grass, and the difference between that and the Mainstage, which is right across the street...
Reading a poem by John Ashbery ’49 for the first time feels like walking into the room of a stranger. The space is mysterious; the language, unfamiliar. There is some sort of order, but it is known only to the owner. Slowly, though, orienting details emerge. Ashbery’s words take on a reassuring rhythm, thrumming steadily, visually, against the walls of the mind. Gradually one gets one’s bearings, locating oneself within the discursive beauty. “How does it feel to be outside and inside at the same time, / The delicious...
...more than anything Marcus Stern is a totally incredible director.” Sherman describes her time in Harvard theater as “hugely, hugely” influential on her overall college experience. “It’s been a really important creative outlet and a space where it’s work and I take it really seriously, but it’s also a break.” A History major, the stage provided a welcome interruption from thick textbooks and the dusty stacks. Most of all, though, theater was a chance to do something...