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...City Council voted yesterday in a 7-2 decision to contribute $175,000 to help residents of Agassiz’s Shady Hill Square preserve a 93-year-old open space and turn it into a park...

Author: By Hee kwon Seo, CRIMSON STAFF WRITER | Title: City To Contribute $175,000 to Shady Hill | 9/23/2008 | See Source »

...other council members voted in favor of the proposal, saying that they trusted the Historical Commission’s evaluation of the open space...

Author: By Hee kwon Seo, CRIMSON STAFF WRITER | Title: City To Contribute $175,000 to Shady Hill | 9/23/2008 | See Source »

...proper trashcan doesn't mean it simply disappears. Though America's landfills are in no danger of filling up any time soon, taking out the trash is increasingly costly, with major cities like New York now having to truck their garbage hundreds of miles to reach an open dumping space. That means energy and carbon emissions. Chameides decided to begin his year of no trash after he visited his community's landfill. "It's nearly 40 miles away, and they have 13,000 tons of trash coming in every day," he says. "It's going to close in seven years...

Author: /time Magazine | Title: Meet Dave, the Man Who Never Takes Out the Trash | 9/22/2008 | See Source »

...savored by the viewers, not chewed by the actors. Much of the action in a western is in what would be downtime in any other genre. The pause before a man speaks suggests the world of options available to someone facing an armed varmint in a desolate space. The tensest scene in any western - two men staring each other down before the final shoot-out - is, in modern movie terms, a moment when nothing happens...

Author: /time Magazine | Title: Corliss on Appaloosa, an Old-School Western | 9/19/2008 | See Source »

...clean shapes and echoes the white and gray squares of Mondrian’s piece, but it presents them through painted industrial and mechanical objects that are depicted as fully three-dimensional. Finally, Laszlo Moholy-Nagy’s “Light Prop for an Electric Stage (Light-Space Modulator),” a machine made out of aluminum, steel, and other materials, manifests the geometric, industrial quality of Sheeler’s painting in real space. The exhibit makes connections that are more explicit and traditional, such as the juxtaposition of the Picasso and the Braque...

Author: By Victoria D. Sung, CRIMSON STAFF WRITER | Title: Harvard Art Up for "Re-View" | 9/18/2008 | See Source »

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