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...negotiating technique was to meet with each envoy separately. Sometimes the emissaries would come twice a day to his spacious 38th-floor office overlooking the East River. The Secretary-General would make an oral presentation to each on a point or two and then ask for comments. Each representative would then communicate with his home government. When the replies were disappointing, the Secretary-General would look for "some conciliatory U.N. formula." His worst fear, he said, was "the danger of a great military incident in the area. I am always wondering whether one of the parties would withdraw from...

Author: /time Magazine | Title: Falkland Islands: Teetering on the Brink | 5/24/1982 | See Source »

What's more, the reasoning behind the campaign to amend the act is spacious. The union of Republicans and industrial state Democrats who support the changes in the act contend it will stimulate the economy and create jobs. Yet this seems merely a smokescreen to salvage ailing and uncompetitive industries, the legislators and bureaucrats who favor the changes are ignoring recent reports which demonstrate that regulation creates more hobs than it eliminates...

Author: NO WRITER ATTRIBUTED | Title: A Lethal Strategy | 4/27/1982 | See Source »

ACTIVE AND WHOLEHEARTED endorsement from high-level administrators might have helped the Foundation overcome these obstacles, but so far the administration has supported the Foundation more with rhetoric than resources. Instead of the spacious facilities called for in the Gomes Report, the Foundation has been relegated to a small office in University Hall. Even more critical is its shortage of personnel: S. Allen Counter, the associate professor of Biology who directs the Foundation, must divide his time between administrative, teaching and research responsibilities. And the part time administrative assistant who helps Counter was hired in January--after the Foundation...

Author: By Wendy L. Wall, | Title: An Infirm Foundation | 4/15/1982 | See Source »

Linda Huey, chief organizer of the Four Point Channel Art Community Action Group, is less sanguine about the future. Sitting in her spacious studio-loft on the sixth floor of an almost deserted warehouse, just blocks away from the galleries, the voices her fears about what she calls "the largest art community Boston has ever seen"; "Initially, all us artists were attracted to the cheap space and perfect artistic environment found in old commercial buildings--things you just don't find in non-commercial sites. All we wanted to do was quietly work on our art by ourselves without being...

Author: By Julian A. Treger, | Title: World Enough And Time | 3/4/1982 | See Source »

...curtain goes up, the theme from Dimitri Tiomkin's score for the movie Giant fills the theater, grand, swelling, as spacious as Texas. The irony is quickly apparent: the several women and one man who spend their time in the five and ten in McCarthy, Texas, are spiritual midgets, made small by life and their own tediously limited ambitions. But there is a double irony, invisible perhaps to those onstage: Playwright Ed Graczyk and Director Robert Altaian can also be counted among the Lilliputians, and it would take the talents of a logician to determine who should...

Author: /time Magazine | Title: Theater: Midgets | 3/1/1982 | See Source »

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