Word: spading
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Dates: during 1950-1959
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...speech in which he modestly spoke of himself in the third person: "He would like to say that when he was in bondage in the most literal sense of the word, Christ gave him royal freedom." In another exposed position on the firing line of faith is another delegate: spade-bearded Bishop Otto Dibelius, 77, head of the Evangelical Church of Berlin-Brandenburg, whose 5,000,000-member flock is mostly on the Red side of Germany, and who is currently under fresh attack by the Communists for a treaty with the Bonn government providing a chaplaincy for the West...
...Giuffre first played the clarinet in a Y.M.C.A. band, developed his style out of a distaste for the trancelike monotony of the big jazz rhythm section. In his 36 years he has played with a lot of big outfits-Boyd Raeburn, Jimmy Dorsey, Woody Herman, Buddy Rich, Garwood Van, Spade Cooley. When Giuffre got out of the Army, he enrolled at the University of Southern California, became interested in Bartok, Hindemith, Shostakovich, Prokofiev. He began to write "linear" music, in which he tried to keep the rhythm section ("It should be felt rather than heard") from conflicting with other instruments...
...last of the lot, spade-bearded El Amin, had a passionate concern for antique clocks, and an urge to garb himself in bemedaled uniforms of the old Ottoman army. He made an impressive showpiece at royal functions, never bothered to learn French, and gazed tolerantly at the antics of a huge and predatory family...
...done the same, despite the organized holders' Farm Association warning that all such individually signed agreements were void. The farmers were all but bankrupt. The valley workers had lost more in crop shares than they could hope to regain in years of unremitting effort with hoe and spade. But the Communists had won their strike and reaped their harvest of hate. Crowed the Italian party organ Unita: "We have entered a new phase of major labor warfare...
...commercial has become as entrenched in U.S. culture as the madrigal in the Italian Renaissance. Says Scott: "There's a definite challenge to writing jingles. To me, they've become as much a part of the American scene as any native art form." Says Columbia Records' spade-bearded Arranger-Producer Mitch Miller, who has plunged enthusiastically into the new art: "I remember asking Rodgers and Hammerstein how they decided what to put to music, and what to leave to dialogue. They replied that they used music only when it became impossible to convey an' emotional feeling...