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Antonio Longoria is a scientific amphibian. A short, myopic Spaniard of 49 who lives in Lakewood, Ohio, Mr. Longoria is at home both in the real world of technological utility and the dream world of Wellsian fantasy. He has devised some ingenious welding techniques, feathered his nest comfortably from his welding patents. He is also a persistent and well-publicized ballyhooer of the "death ray" machine he claims to have invented (TIME, Aug. 10, 1936). Says he, this machine can kill cats and dogs, bring down pigeons on the wing, at ranges up to four miles...

Author: /time Magazine | Title: Science: Too Specific | 10/23/1939 | See Source »

...fairly compelling description of the temper of the period preceding the conflict, employing the well-worn system of correlating diverse events throughout the country to show the styles, manners, opinions, interests of the American people. But after Mr. Mason gets his reader into the actual conflict with the Spaniard, he entirely forgets to write of the folks back home and embarks on an inconsequential play-by-play account of Shafter's insular campaign and Dewey's tugboat race to Manila...

Author: NO WRITER ATTRIBUTED | Title: The Bookshelf | 4/26/1939 | See Source »

...answers largely depend on the character of Francisco Franco, and last week as Spain was about to begin another chapter in her long history, the plump, enigmatic little man who will boss it-strangely colorless for a Spaniard-and the men with whom he has surrounded himself attracted the world's curiosity...

Author: /time Magazine | Title: WAR IN SPAIN: Chief of State | 3/27/1939 | See Source »

...That Spaniard got right on the spot such a beating from the public and police that he will not forget soon...

Author: /time Magazine | Title: Letters, Mar. 13, 1939 | 3/13/1939 | See Source »

...hands of Georges Braque, who took it up almost simultaneously, of Juan Gris, a young Spaniard who took it in 1911 and made it charming, and of Picasso, cubism made cunning use of all that painters know about form and color in themselves-from such elementary facts that a red patch seems to advance and a Violet patch to recede, to the most ingenious refinements All paintings, as painters see them, are merely areas of certain colors on flat canvas. Cubism made pictures which everybody could see that...

Author: /time Magazine | Title: Art: Art's Acrobat | 2/13/1939 | See Source »

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